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The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique chord progression and distinctive guitar techniques that were ahead of its time. The song was released in 1967 on the album “Axis: Bold as Love” and showcases Hendrix’s innovative approach to guitar playing and songwriting.

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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“Something” written by George Harrison from The Beatles majorly follows the key of C major and includes a few borrowed chords. There is a usage of secondary dominants and seventh chords which lend a harmonic complexity to the song. During the course of the song, the chords shift from the major scale to the parallel minor scale.

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

Jimi Hendrix – The Wind Cries Mary – Verse 4

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Chord Progression

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A

Chord Progression Analysis

C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), G (‘♯II’), B♭ (‘II’), E♭ (‘♭VII’), E (‘♮VII’), F (‘I’), G (‘♯II’), B♭ (‘II’), E♭ (‘♭VII’), E (‘♮VII’), F (‘I’), E♭/G (‘♭VII6’), E/G♯ (‘♮VII6’), F/A (‘I6’)

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Borrowed Chords: ♮III, ♯II, ♭VII
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Similar Chord Progressions

1. While My Guitar Gently Weeps by The Beatles:
Am (‘i’), G (‘♭VII’), Am (‘i’), Am/G (‘i6’), Am/F♯ (‘i♭6’), Am/F (‘i6♭’), Am (‘i’), C (‘♭III’), G (‘♭VII’), Am (‘i’)

2. Hey Joe by Jimi Hendrix:
C (‘IV’), G (‘♮VII’), D (‘♭II’), A (‘V’), E (‘I’)

3. Hotel California by Eagles:
Bm (‘i’), F♯ (‘V’), A (‘♭VII’), E (‘IV’), G (‘♭VI’), D (‘♭III’), Em (‘iv’), F♯ (‘V’)

Musical Analysis

The chord progression used in The Wind Cries Mary showcases Hendrix’s penchant for incorporating various musical influences into his songwriting. The use of borrowed chords and chromatic lines add harmonic interest and create moments of tension and resolution that engage the listener. The stepwise descending chromatic progression from IV (C) to ♮III (B) to II (B♭) gives an emotional cascading effect, while the use of ♭VII (E♭) and ♮VII (E) chords right before returning to the tonic (F) lend majesty and strong resolution.

Overall Analysis

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

Style Analysis

This piece represents the blending of various styles and genres into a distinctive Hendrix sound. It combines the ethereal quality of psychedelic rock, the emotive chord progressions found in blues-rock, and the innovative harmonies of early progressive rock. The Verse 4 progression showcases Hendrix’s genius in manipulating both diatonic and borrowed chords to create an emotive journey through harmony and melody.

Chords in the Verse 4 section of The Wind Cries Mary by Jimi Hendrix are:

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A