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Related Music Theory Alchemy

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

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“House of the Rising Sun” by The Animals is a traditional folk song arranged by the British rock band in 1964. The song is known for its distinct and haunting minor sound, which has become one of the most famous examples of a minor key in popular music. The chord progression features a mix of diatonic and non-diatonic chords that add variety and interest to the music.

Jimi Hendrix – The Wind Cries Mary – Verse 4

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Chord Progression

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A

Chord Progression Analysis

C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), C (‘IV’), B (‘♮III’), B♭ (‘II’), F (‘I’), G (‘♯II’), B♭ (‘II’), E♭ (‘♭VII’), E (‘♮VII’), F (‘I’), G (‘♯II’), B♭ (‘II’), E♭ (‘♭VII’), E (‘♮VII’), F (‘I’), E♭/G (‘♭VII6’), E/G♯ (‘♮VII6’), F/A (‘I6’)

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Borrowed Chords: ♮III, ♯II, ♭VII
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Similar Chord Progressions

1. While My Guitar Gently Weeps by The Beatles:
Am (‘i’), G (‘♭VII’), Am (‘i’), Am/G (‘i6’), Am/F♯ (‘i♭6’), Am/F (‘i6♭’), Am (‘i’), C (‘♭III’), G (‘♭VII’), Am (‘i’)

2. Hey Joe by Jimi Hendrix:
C (‘IV’), G (‘♮VII’), D (‘♭II’), A (‘V’), E (‘I’)

3. Hotel California by Eagles:
Bm (‘i’), F♯ (‘V’), A (‘♭VII’), E (‘IV’), G (‘♭VI’), D (‘♭III’), Em (‘iv’), F♯ (‘V’)

Musical Analysis

The chord progression used in The Wind Cries Mary showcases Hendrix’s penchant for incorporating various musical influences into his songwriting. The use of borrowed chords and chromatic lines add harmonic interest and create moments of tension and resolution that engage the listener. The stepwise descending chromatic progression from IV (C) to ♮III (B) to II (B♭) gives an emotional cascading effect, while the use of ♭VII (E♭) and ♮VII (E) chords right before returning to the tonic (F) lend majesty and strong resolution.

Overall Analysis

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

Style Analysis

This piece represents the blending of various styles and genres into a distinctive Hendrix sound. It combines the ethereal quality of psychedelic rock, the emotive chord progressions found in blues-rock, and the innovative harmonies of early progressive rock. The Verse 4 progression showcases Hendrix’s genius in manipulating both diatonic and borrowed chords to create an emotive journey through harmony and melody.

Chords in the Verse 4 section of The Wind Cries Mary by Jimi Hendrix are:

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A