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The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

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“Girl” is a song by The Beatles from their 1965 album “Rubber Soul”. The song is written in the key of E minor and it showcases the band’s ability to incorporate non-diatsubject resorting to non-diatonic progressions and utilizes various seventh chords to establish a more sophisticated and jazzy soundid progression. It’s important to note their use of the Dorian mode, which adds to the melodic and harmonic sophistication of the song. Moreover, the song exhibits the lyrical and songwriting depth of The Beatles.

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The chord progression in the verse 1 of “Whole Lotta Love” by Led Zeppelin features just two chords: D and E. This fairly simple progression, used repetitively throughout the verse, creates a strong and energetic foundation for the song. The style of the song reflects 1960s heavy rock, and the simplicity of the chord progression adds to the rawness and drive of the music.

Jimi Hendrix – The Wind Cries Mary – Verse 1

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Chord Progression

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A

Chord Progression Analysis

C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
G Major (V), Bb Major (bVI), Eb Major (bII), E Major (II),
F Major (IV), G Major (V), Bb Major (bVI), Eb Major (bII),
E Major (II), F Major (IV), Eb Major/G (bII), E Major/G# (II),
F Major/A (IV)

`Borrowed chords: B Major (bVII), Bb Major (bVI), and Eb Major (bII)`

Similar Chord Progressions

1. The Beatles – Sexy Sadie
Chord progression: [‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘E’, ‘Ab’, ‘Db’, ‘D’, ‘E’, ‘F#’]

A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
E major (V), Ab major (bI), Db major (bIV), D major (IV),
E major (V), F# major (VI)

`Borrowed chords: G Major (bVII), Ab Major (bI), Db Major (bIV)`

2. Radiohead – Creep
Chord progression: [‘G’, ‘B’, ‘C’, ‘Cm’]

G major (I), B major (III), C major (IV), C minor (iv)

`Borrowed chord: B major (III)`

Musical Analysis

The verse follows a descending pattern with the chords C-B-Bb, adding a tension to the progression. The F major chord acts as a resolution, as the song is based in the key of F. This progression repeats three times.

The next section functions as a pre-chorus, modulating to a new key center with the chords G-Bb-Eb, followed by a major II chord (E) which leads to the chorus. The chorus follows a four-chord pattern as well, alternating between F and G major before landing on the borrowed Eb major chord and modulating back to E major. The final chords leading from E major to F major help transition back into the verse.

Overall Analysis

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Style Analysis

Jimi Hendrix’s unique guitar playing and composition style are evident in this song. The use of borrowed chords creates a sense of tension and release throughout the chord progression. Hendrix’s guitar work and use of various techniques combined with the harmonic and melodic complexities make this a captivating and memorable song.

Chords in the Verse 1 section of The Wind Cries Mary by Jimi Hendrix are:

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A