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Related Music Theory Alchemy

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique chord progression and distinctive guitar techniques that were ahead of its time. The song was released in 1967 on the album “Axis: Bold as Love” and showcases Hendrix’s innovative approach to guitar playing and songwriting.

“Wonderwall” is a song by Oasis, a British rock band. The song showcases the blend of rock and Britpop style. The chord progression in the verse reflects a strong pop feeling, primarily residing in the key of G major.

“Take Me Home Country Roads” is written in G major. The song is characterized by a strong, consistent beat and a simple, memorable melody which are typical characteristics associated with country and folk music. The progression follows a predictable sequence, also typical of these genres, and contributes to the song’s classic, feel.

Jimi Hendrix – The Wind Cries Mary – Verse 1

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Chord Progression

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A

Chord Progression Analysis

C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
C Major (I), B Major (bVII), Bb Major (bVI), F Major (IV),
G Major (V), Bb Major (bVI), Eb Major (bII), E Major (II),
F Major (IV), G Major (V), Bb Major (bVI), Eb Major (bII),
E Major (II), F Major (IV), Eb Major/G (bII), E Major/G# (II),
F Major/A (IV)

`Borrowed chords: B Major (bVII), Bb Major (bVI), and Eb Major (bII)`

Similar Chord Progressions

1. The Beatles – Sexy Sadie
Chord progression: [‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘A’, ‘G’, ‘Ab’, ‘D’, ‘E’, ‘Ab’, ‘Db’, ‘D’, ‘E’, ‘F#’]

A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
A major (I), G major (bVII), Ab major (bI), D major (IV),
E major (V), Ab major (bI), Db major (bIV), D major (IV),
E major (V), F# major (VI)

`Borrowed chords: G Major (bVII), Ab Major (bI), Db Major (bIV)`

2. Radiohead – Creep
Chord progression: [‘G’, ‘B’, ‘C’, ‘Cm’]

G major (I), B major (III), C major (IV), C minor (iv)

`Borrowed chord: B major (III)`

Musical Analysis

The verse follows a descending pattern with the chords C-B-Bb, adding a tension to the progression. The F major chord acts as a resolution, as the song is based in the key of F. This progression repeats three times.

The next section functions as a pre-chorus, modulating to a new key center with the chords G-Bb-Eb, followed by a major II chord (E) which leads to the chorus. The chorus follows a four-chord pattern as well, alternating between F and G major before landing on the borrowed Eb major chord and modulating back to E major. The final chords leading from E major to F major help transition back into the verse.

Overall Analysis

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Style Analysis

Jimi Hendrix’s unique guitar playing and composition style are evident in this song. The use of borrowed chords creates a sense of tension and release throughout the chord progression. Hendrix’s guitar work and use of various techniques combined with the harmonic and melodic complexities make this a captivating and memorable song.

Chords in the Verse 1 section of The Wind Cries Mary by Jimi Hendrix are:

C, B, Bb, F, C, B, Bb, F, C, B, Bb, F, G, Bb, Eb, E, F, G, Bb, Eb, E, F, Eb/G, E/G#, F/A