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Related Music Theory Alchemy

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

Jimi Hendrix – Castles Made Of Sand – Verse 2

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Chord Progression

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G

Chord Progression Analysis

Here’s the chord progression along with their Roman numeral notation:

F Major (IV), A Minor (vi), E Minor 7 (iii7), F Major (IV), C Major (I), G Major (V), F Major (IV), A Minor (vi), E Minor 7 (iii7), F Major (IV), C Major (I), G Major (V)

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps” (Verse Chords)
Am (i), Am/G (i), Am/F# (i), Am/F (i), G (VII), D (IV), E (V), E7 (V7)

2. Radiohead – “Exit Music (For a Film)” (Verse Chords)
Am (i), Am/C (i), G (VII), G/F# (VII), F (VI), Fm (vi), E7 (V7), E7sus4 (V7sus4)

Both of these examples show the use of major and minor tonalities and non-diatonic chords within their verse progressions, similar to “Castles Made of Sand.” They also incorporate borrowed chords and variations in bass notes, which contribute to the overall sense of tension and release within their respective chord progressions.

Musical Analysis

Harmonically, this progression features some non-diatonic chords, specifically the E Minor 7, which functions as a borrowed chord from the parallel minor key, C minor. This gives the progression an interesting twist and enhances its sense of tension and release.

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Borrowed chord: E Minor 7 (iii7, from C minor)
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The use of the iv degree, F Major, in the beginning also adds to the tension of the progression – by avoiding the typical tonic chord resolution to I (C Major), the passage is given more momentum, which helps propel it forward.

There’s also a common harmonic cadence known as the plagal cadence (IV – I) when the chords move from F Major to C Major. Moreover, the progression employs the V (G Major), which has a dominant function, creating a perfect authentic cadence (V – I) at the end, providing a sense of harmonic closure.

Overall Analysis

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

Style Analysis

Jimi Hendrix was known for his remarkably versatile technique, both as an instrumentalist and composer, which is demonstrated in the chord progression. It epitomizes his talent for blending different harmonic elements, such as major and minor tonalities, or extended chords, like Em7. These diverse characteristics contributed to defining the psychedelic and experimental qualities of his music during the 1960s and 70s.

Chords in the Verse 2 section of Castles Made Of Sand by Jimi Hendrix are:

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G