Search

Related Music Theory Alchemy

The song “Hallelujah” written by Leonard Cohen and popularly covered by Jeff Buckley is a solemn ballad consisting of poetic lyrics set to a haunting melody. This particular chord progression in Verse 4 highlights the song’s delicate balance between tension and resolution. The tonality revolves around C major, with deviations into other tonal areas, which adds complexity and emotional impact.

“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.

Jeff Buckley – Hallelujah – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

F, Am, F, C, G, C, Am, C, Am

Chord Progression Analysis

F Major (IV) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – C Major (I) – A minor (vi) – C Major (I) – A minor (vi)

Similar Chord Progressions

“Hallelujah” has influenced many artists, and its chord progression can be found in several popular songs, albeit with slight variations.

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)

2. “Someone Like You” by Adele:
A Major (IV) – E Major (I) – F# minor (vi) – D Major (II) – A Major (IV) – E Major (I) – F# minor (vi) – D Major (II)

While neither of these progressions is identical to that of “Hallelujah,” they both contain elements of the original, such as a strong emphasis on the IV and vi chords, and the alternation between I and V or I and II chords. This underscores the enduring impact of “Hallelujah” on contemporary popular music.

Musical Analysis

The chorus begins with an F Major chord (IV), which has a strong pull back to the tonic (C Major, I). The subsequent A minor (vi) then acts as a substitute for F Major and effectively prolongs the subdominant, creating a sense of suspension. The progression then returns to F Major (IV) and resolves to the tonic (C Major, I). This is followed by a standard V-I cadence (G Major to C Major), reinforcing the tonal center.

The progression concludes with a series of alternating A minor (vi) and C Major (I) chords. This strikes a balance between stability and instability, providing a satisfying conclusion. It is important to note that the entire progression is composed of diatonic chords that belong to the key of C Major; no borrowed chords are present.

Overall Analysis

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

Style Analysis

The chord progression is rooted in the pop/rock idiom, and the simplicity of the chords themselves is reminiscent of various traditions within popular music, including folk and gospel. Though “Hallelujah” is a deeply emotional song, the chorus’ straightforward progression allows the listener to focus on the poignant lyrics and Jeff Buckley’s expressive performance.

Chords in the Chorus section of Hallelujah by Jeff Buckley are:

F, Am, F, C, G, C, Am, C, Am