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Related Music Theory Alchemy

“Give Me The Night” by George Benson features a smooth jazz and funk-influenced style. The chord progression in Verse 3 demonstrates a strong use of extended and altered chords, which create a richer texture and interesting harmonic movement. This particular chord progression is reminiscent of other popular songs from the same period and genre, displaying the influence of jazz harmony on contemporary R&B and pop music.

The pre-chorus section of George Benson’s “Give Me The Night” is a smooth and interesting progression that exhibits characteristics of the jazz, funk, and R&B styles. It features a mix of seventh chords and inversions, and utilizes both diatonic and borrowed chords from the parallel minor key.

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
“`

“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.

Verse 1

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

George Benson – Give Me The Night – Verse 1

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Chord Progression

Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7

Chord Progression Analysis

(Db Major Scale: Db – Eb – F – Gb – Ab – Bb – C – Db)

Dbmaj7 (Imaj7), Fm7 (iiim7), Bbm7 (vim7), Cm7 (bVIIm7 – borrowed from Db parallel minor), Dbmaj7 (Imaj7), Fm7 (iiim7), Bbm7 (vim7), Cm7 (bVIIm7 – borrowed from Db parallel minor), Dbmaj7 (Imaj7), Dbmaj7 (Imaj7), Fm7 (iiim7), Bbm7 (vim7), Cm7 (bVIIm7 – borrowed from Db parallel minor), Dbmaj7 (Imaj7), Fm7 (iiim7), Bbm7 (vim7), Cm7 (bVIIm7 – borrowed from Db parallel minor), Dbmaj7 (Imaj7)

“`Cm7 (bVIIm7 – borrowed from Db parallel minor)“`

Similar Chord Progressions

1. Stevie Wonder – “Knocks Me Off My Feet”:
Dmaj7 (Imaj7), F#m7 (iiim7), Bm7 (vim7), Em9 (IIm9), A9 (V9)

2. Earth, Wind & Fire – “September”:
Abmaj7 (Imaj7), Cm7 (iiim7), Fm7 (vim7), Gm7 (bVIIm7 – borrowed from Ab parallel minor), Abmaj7 (Imaj7)

Though these songs have different keys, each displays the use of diatonic major 7th, minor 7th, and borrowed chords within their progressions, showcasing elements of jazz, R&B, and funk.

Musical Analysis

The verse chord progression primarily consists of diatonic chords Imaj7, iiim7, and vim7. The progression starts with a tonic Dbmaj7 chord before moving to Fm7 (the mediant chord), and to Bbm7 (the submediant chord), implying a smooth harmonic motion. However, the appearance of the borrowed Cm7 chord, which is sourced from the parallel minor (Db minor), adds harmonic interest and tension before being restored to the tonic chord.

Overall Analysis

“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

Style Analysis

George Benson’s “Give Me The Night” exhibits typical features of jazz, R&B, and funk music genres. The use of extended chords like major and minor 7ths, along with the inclusion of a borrowed chord, implies rich harmonic texture, similar to typical jazz and R&B songs from the late 1970s and early 1980s. The syncopated rhythm and catchy instrumental hook additionally lends itself to aspects of funk.

Chords in the Verse 1 section of Give Me The Night by George Benson are:

Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7