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Related Music Theory Alchemy

The chord progression in the pre-chorus of George Benson’s “Give Me The Night” can be described as a smooth, jazzy, and mellow progression influenced by R&B and jazz-funk styles. It features a combination of diatonic chords and extensions, which create a sense of sophistication and complexity.

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

The song “Killer Queen” by Queen is primarily set in the key of F Major, while the Chorus 1 is in the key of G Major. The song’s harmonic voice leading and progressions reveal a sophisticated and nuanced approach that involves a continuous change of tonal center and utilization of secondary dominant and borrowed chords.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

George Benson – Give Me The Night – Chorus 1

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Chord Progression

Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7

Chord Progression Analysis

Fm7 (i7), Bbm7 (iv7), Cm7 (v7), Dbmaj7 (♭VIΔ7), Fm7 (i7), Bbm7 (iv7), Cm7 (v7), Dbmaj7 (♭VIΔ7)
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Borrowed Chord: Dbmaj7 (♭VIΔ7)
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Similar Chord Progressions

1. Stevie Wonder – “Isn’t She Lovely?”
Chord progression: Am7 (vi7), D7 (V7/ii), Gmaj7 (IVΔ7), Cmaj7 (IΔ7), F#m7 (iii7), B7(♮9) (V7/iii), Em7 (ii7), A7(♮9) (V7/ii)

2. Michael Jackson – “Human Nature”
Chord progression: Dmaj7 (IΔ7), E7 (V7), F#m7 (iii7), Gmaj7 (IVΔ7), A7sus (V7sus), A7 (V7)

These examples showcase similar harmonic structures, where chords from the parallel major or minor key are borrowed or unexpected, creating a rich and sophisticated sound that is a hallmark of the late-’70s and early-’80s musical styles.

Musical Analysis

The progression begins with a i7-iv7-v7, which is a common progression found in minor keys, and it adds a sense of tension and release. However, the Dbmaj7 chord that follows is a borrowed chord from the parallel major key (F major). This chord adds an unexpected major sound to the progression and creates a subtle but effective modulation, resulting in a richer harmonic palette. As the progression repeats, it reinforces this harmonic structure, giving the listener a chance to absorb and appreciate its nuances.

Overall Analysis

The chorus of “Give Me The Night” by George Benson features a smooth chord progression that explores both diatonic and borrowed chords, creating a sophisticated sound that is characteristic of the jazz and R&B styles prevalent in the late 1970s and early 1980s. The progression is comprised of chords that stem from the Fm7 key but also includes a borrowed Dbmaj7 chord.

Style Analysis

“Give Me The Night” is a blend of jazz, R&B, and pop, and its chord progression is emblematic of these genres, with its smooth voice leading, diatonic and borrowed chords, and lush harmonies. The use of the borrowed chord, in combination with the syncopated rhythm and instrumentation of the song, creates a contemporary and polished sound that was popular during the late ’70s and early ’80s.

Chords in the Chorus 1 section of Give Me The Night by George Benson are:

Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7