Search

Related Music Theory Alchemy

The chord progression in the pre-chorus of George Benson’s “Give Me The Night” can be described as a smooth, jazzy, and mellow progression influenced by R&B and jazz-funk styles. It features a combination of diatonic chords and extensions, which create a sense of sophistication and complexity.

“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

The song “Killer Queen” by Queen is primarily set in the key of F Major, while the Chorus 1 is in the key of G Major. The song’s harmonic voice leading and progressions reveal a sophisticated and nuanced approach that involves a continuous change of tonal center and utilization of secondary dominant and borrowed chords.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

George Benson – Give Me The Night – Chorus 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7

Chord Progression Analysis

Fm7 (i7), Bbm7 (iv7), Cm7 (v7), Dbmaj7 (♭VIΔ7), Fm7 (i7), Bbm7 (iv7), Cm7 (v7), Dbmaj7 (♭VIΔ7)
“`
Borrowed Chord: Dbmaj7 (♭VIΔ7)
“`

Similar Chord Progressions

1. Stevie Wonder – “Isn’t She Lovely?”
Chord progression: Am7 (vi7), D7 (V7/ii), Gmaj7 (IVΔ7), Cmaj7 (IΔ7), F#m7 (iii7), B7(♮9) (V7/iii), Em7 (ii7), A7(♮9) (V7/ii)

2. Michael Jackson – “Human Nature”
Chord progression: Dmaj7 (IΔ7), E7 (V7), F#m7 (iii7), Gmaj7 (IVΔ7), A7sus (V7sus), A7 (V7)

These examples showcase similar harmonic structures, where chords from the parallel major or minor key are borrowed or unexpected, creating a rich and sophisticated sound that is a hallmark of the late-’70s and early-’80s musical styles.

Musical Analysis

The progression begins with a i7-iv7-v7, which is a common progression found in minor keys, and it adds a sense of tension and release. However, the Dbmaj7 chord that follows is a borrowed chord from the parallel major key (F major). This chord adds an unexpected major sound to the progression and creates a subtle but effective modulation, resulting in a richer harmonic palette. As the progression repeats, it reinforces this harmonic structure, giving the listener a chance to absorb and appreciate its nuances.

Overall Analysis

The chorus of “Give Me The Night” by George Benson features a smooth chord progression that explores both diatonic and borrowed chords, creating a sophisticated sound that is characteristic of the jazz and R&B styles prevalent in the late 1970s and early 1980s. The progression is comprised of chords that stem from the Fm7 key but also includes a borrowed Dbmaj7 chord.

Style Analysis

“Give Me The Night” is a blend of jazz, R&B, and pop, and its chord progression is emblematic of these genres, with its smooth voice leading, diatonic and borrowed chords, and lush harmonies. The use of the borrowed chord, in combination with the syncopated rhythm and instrumentation of the song, creates a contemporary and polished sound that was popular during the late ’70s and early ’80s.

Chords in the Chorus 1 section of Give Me The Night by George Benson are:

Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7