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“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

The chord progression in the chorus of “Give Me The Night” by George Benson demonstrates the use of extended and borrowed chords. The progression consists of a mix of diatonic chords and chords borrowed from the parallel minor, which is a characteristic of jazz and R&B music. The use of the Db/Eb also adds a layer of harmonic ambiguity that creates tension, enriching the overall sound of the piece.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

The song “Take Me Home, Country Roads” by John Denver is written in the key of G Major. The chord progression in the bridge made use of the four main chords in this key, which are G, Em, C, and D along with an interesting use of the F chord, which is a borrowed chord from the parallel minor key of G minor.

George Benson – Give Me The Night – Bridge

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Chord Progression

Abm7, Gb, Ebm7, Db, Abm7, Gb, Ebm7, Db, Abm7, Gb, Ebm7, Db, Abm7, Gb, Emaj7, Db7, Emaj7, Db/F

Chord Progression Analysis

`Abm7 (ii), Gb (I), Ebm7 (vi), Db (V), Abm7 (ii), Gb (I), Ebm7 (vi), Db (V), Abm7 (ii), Gb (I), Ebm7 (vi), Db (V), Abm7 (ii), Gb (I), Emaj7 (♭VII), Db7 (IV7), Emaj7 (♭VII), Db/F (IV6)`

Similar Chord Progressions

1. Earth, Wind & Fire – “After The Love Has Gone”:
`F#m7 (ii), E (I), C#m7 (vi), B (V), F#m7 (ii), E (I), C#m7 (vi), B (V), F#m7 (ii), E (I), G#m7 (iii), B7 (V7)`

2. Stevie Wonder – “As”:
`Em7 (ii), D (I), Bm7 (vi), A (V), Em7 (ii), D (I), Bm7 (vi), A (V), Em7 (ii), D (I), F#m7 (iii), A7 (V7)`

These examples also showcase a similar fusion of jazz, R&B, and pop elements with descending chord progressions and the use of minor 7th chords. While the exact chords may differ, the overall approach and stylistic influences are comparable to that of George Benson’s “Give Me The Night.”

Musical Analysis

The descending chord progression creates a smooth and relaxed harmonic movement, making the piece feel mellow and easygoing. The minor 7th chords spread throughout the progression lend a soothing quality to the mix. The borrowed chords, such as Emaj7, add a touch of intrigue and unpredictability to the otherwise straightforward progression.

Overall Analysis

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

Style Analysis

This chord progression reflects George Benson’s unique blend of jazz, R&B, and pop influences. The use of minor 7th chords and descending chord motion is reminiscent of jazz and R&B ballads. At the same time, the overall structure and accessibility of the progression reflect a strong pop sensibility.

Chords in the Bridge section of Give Me The Night by George Benson are:

Abm7, Gb, Ebm7, Db, Abm7, Gb, Ebm7, Db, Abm7, Gb, Ebm7, Db, Abm7, Gb, Emaj7, Db7, Emaj7, Db/F