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Related Music Theory Alchemy

“Your Song” by Elton John is an iconic pop ballad featuring a piano-driven accompaniment. Harmonically, the song displays rich and varied chord progressions within key of D major, though with a significant usage of borrowed chords and alterations that contribute to a unique and expressive harmonic language. There is a classical and cinematic air about this song establishing it as a flagship Elton John classic.

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

The song “I Want to Hold Your Hand” by The Beatles is cheerful and upbeat, with accessible melodies that catch the audience’s attention immediately. The rhythm is contagious and gives a happy atmosphere to the whole song. It is a perfect example of the early influences of rock ‘n’ roll on The Beatles, with a chord progression that is quite common in pop/rock music but showcases The Beatles’ ability to create fresh and unique melodic ideas.

The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

Elton John – Your Song – Chorus

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Chord Progression

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]

Chord Progression Analysis

The full list of chords and their roman numerals are as follows:

“`
A/C# (V6),
Bm (vi),
Em7 (ii7),
G (IV),
A/C# (V6),
Bm (vi),
Em (ii),
G (IV),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D (I),
Em (ii),
G (IV),
A (V),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D/F# (I6),
Em (ii),
G (IV),
D (I),
G/D (IV6),
A/D (V6),
G/D (IV6),
D (I)
“`

Similar Chord Progressions

Billy Joel’s “Just the Way You Are” exhibits a similar approach to chord progression. The chords provided in one line with roman numeral analysis would look something like this:

“`
D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I).
“`

Another similar progression can be seen in Carole King’s “You’ve Got a Friend”, with a slight twist in the key of A Major:

“`
A (I), Em/G (v6), D (IV), Bm (ii), F#m (vi), E (V), A (I).
“`

In both these cases, the songwriters use predominantly diatonic chords, similar to Elton John, and lean into common cadences such as VI – V and ii – V to solidify the tonal center.

Musical Analysis

The progression contains a lot of diatonic chords, including I, ii, IV, V, vi, and their inversions or variations. This helps establish D as the tonic while allowing for dynamic movement between chords.

Regarding non-diatonic chords, Bm/G# is a borrowed chord from the parallel minor, in this case, D minor. This is a common device used in pop and rock music and the baroque technique of changing the bass note under sustained chords is used with the Bm, Bm/A, Bm/G# sequence.

Overall Analysis

Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

Style Analysis

“Your Song” highlights Elton John’s notable use of melodic and harmonic hooks to draw listeners in. Despite the relatively complex chord progressions, the song remains very accessible and singable, a characteristic of many of his most famous works.

Chords in the Chorus section of Your Song by Elton John are:

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]