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Related Music Theory Alchemy

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

“Idioteque” by Radiohead is an experimental and atmospheric electronic song, released on the album “Kid A” in 2000. The chord progression of the chorus is fairly simple, yet features some distinctive chords which create a sense of tension and release. It incorporates modal mixture and chromatic mediants, which are typical elements found in Radiohead’s music.

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

Elton John – Your Song – Chorus

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Chord Progression

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]

Chord Progression Analysis

The full list of chords and their roman numerals are as follows:

“`
A/C# (V6),
Bm (vi),
Em7 (ii7),
G (IV),
A/C# (V6),
Bm (vi),
Em (ii),
G (IV),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D (I),
Em (ii),
G (IV),
A (V),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D/F# (I6),
Em (ii),
G (IV),
D (I),
G/D (IV6),
A/D (V6),
G/D (IV6),
D (I)
“`

Similar Chord Progressions

Billy Joel’s “Just the Way You Are” exhibits a similar approach to chord progression. The chords provided in one line with roman numeral analysis would look something like this:

“`
D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I).
“`

Another similar progression can be seen in Carole King’s “You’ve Got a Friend”, with a slight twist in the key of A Major:

“`
A (I), Em/G (v6), D (IV), Bm (ii), F#m (vi), E (V), A (I).
“`

In both these cases, the songwriters use predominantly diatonic chords, similar to Elton John, and lean into common cadences such as VI – V and ii – V to solidify the tonal center.

Musical Analysis

The progression contains a lot of diatonic chords, including I, ii, IV, V, vi, and their inversions or variations. This helps establish D as the tonic while allowing for dynamic movement between chords.

Regarding non-diatonic chords, Bm/G# is a borrowed chord from the parallel minor, in this case, D minor. This is a common device used in pop and rock music and the baroque technique of changing the bass note under sustained chords is used with the Bm, Bm/A, Bm/G# sequence.

Overall Analysis

Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

Style Analysis

“Your Song” highlights Elton John’s notable use of melodic and harmonic hooks to draw listeners in. Despite the relatively complex chord progressions, the song remains very accessible and singable, a characteristic of many of his most famous works.

Chords in the Chorus section of Your Song by Elton John are:

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]