Music Theory Alchemy

Search

Related Music Theory Alchemy

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The chorus of “Hate This And I’ll Love You” by Muse features a highly chromatic and non-diatonic chord progression, with a myriad of borrowed chords and some distinctive rock sound. The key within which the progression is based seems to shift between E minor and B minor, with a mixture of Major and minor chords throughout.

The chorus of Taylor Swift’s “Anti-Hero” utilizes a chord progression that elevates the song’s emotional resonance, serving as a climactic counterpart to the reflective verses. This section combines lush harmonies with straightforward pop sensibilities, creating a poignant and memorable musical moment that aligns with the song’s thematic exploration of self-awareness and complexity.

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

Elton John – Your Song – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]

Chord Progression Analysis

The full list of chords and their roman numerals are as follows:

“`
A/C# (V6),
Bm (vi),
Em7 (ii7),
G (IV),
A/C# (V6),
Bm (vi),
Em (ii),
G (IV),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D (I),
Em (ii),
G (IV),
A (V),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D/F# (I6),
Em (ii),
G (IV),
D (I),
G/D (IV6),
A/D (V6),
G/D (IV6),
D (I)
“`

Similar Chord Progressions

Billy Joel’s “Just the Way You Are” exhibits a similar approach to chord progression. The chords provided in one line with roman numeral analysis would look something like this:

“`
D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I).
“`

Another similar progression can be seen in Carole King’s “You’ve Got a Friend”, with a slight twist in the key of A Major:

“`
A (I), Em/G (v6), D (IV), Bm (ii), F#m (vi), E (V), A (I).
“`

In both these cases, the songwriters use predominantly diatonic chords, similar to Elton John, and lean into common cadences such as VI – V and ii – V to solidify the tonal center.

Musical Analysis

The progression contains a lot of diatonic chords, including I, ii, IV, V, vi, and their inversions or variations. This helps establish D as the tonic while allowing for dynamic movement between chords.

Regarding non-diatonic chords, Bm/G# is a borrowed chord from the parallel minor, in this case, D minor. This is a common device used in pop and rock music and the baroque technique of changing the bass note under sustained chords is used with the Bm, Bm/A, Bm/G# sequence.

Overall Analysis

Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

Style Analysis

“Your Song” highlights Elton John’s notable use of melodic and harmonic hooks to draw listeners in. Despite the relatively complex chord progressions, the song remains very accessible and singable, a characteristic of many of his most famous works.

Chords in the Chorus section of Your Song by Elton John are:

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]