Search

Related Music Theory Alchemy

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

“Tiny Dancer” is an iconic song by Elton John from his 1971 album Madman Across the Water. Written in the key of C Major, it genre-wise fits the mold of pop music from the early 1970s. Structurally, the song displays unique nuances, especially in its pre-chorus, which shifts the tonal center and incorporates some borrowed chords from parallel minor scales.

“I Sat By The Ocean” by Queens of The Stone Age is written in E Major key.

“Have You Ever Seen The Rain” is a popular song by Creedence Clearwater Revival from the 1971 album “Pendulum”. This song is performed in the key of C major, and uses chords from the diatonic scale. However, it also utilizes borrowed chords and chord inversions to create a bit of colour and novelty.

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

Elton John – Your Song – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]

Chord Progression Analysis

The full list of chords and their roman numerals are as follows:

“`
A/C# (V6),
Bm (vi),
Em7 (ii7),
G (IV),
A/C# (V6),
Bm (vi),
Em (ii),
G (IV),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D (I),
Em (ii),
G (IV),
A (V),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D/F# (I6),
Em (ii),
G (IV),
D (I),
G/D (IV6),
A/D (V6),
G/D (IV6),
D (I)
“`

Similar Chord Progressions

Billy Joel’s “Just the Way You Are” exhibits a similar approach to chord progression. The chords provided in one line with roman numeral analysis would look something like this:

“`
D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I).
“`

Another similar progression can be seen in Carole King’s “You’ve Got a Friend”, with a slight twist in the key of A Major:

“`
A (I), Em/G (v6), D (IV), Bm (ii), F#m (vi), E (V), A (I).
“`

In both these cases, the songwriters use predominantly diatonic chords, similar to Elton John, and lean into common cadences such as VI – V and ii – V to solidify the tonal center.

Musical Analysis

The progression contains a lot of diatonic chords, including I, ii, IV, V, vi, and their inversions or variations. This helps establish D as the tonic while allowing for dynamic movement between chords.

Regarding non-diatonic chords, Bm/G# is a borrowed chord from the parallel minor, in this case, D minor. This is a common device used in pop and rock music and the baroque technique of changing the bass note under sustained chords is used with the Bm, Bm/A, Bm/G# sequence.

Overall Analysis

Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

Style Analysis

“Your Song” highlights Elton John’s notable use of melodic and harmonic hooks to draw listeners in. Despite the relatively complex chord progressions, the song remains very accessible and singable, a characteristic of many of his most famous works.

Chords in the Chorus section of Your Song by Elton John are:

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]