Music Theory Alchemy

Search

Related Music Theory Alchemy

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

“Let It Be” by The Beatles uses some of the most common chords in the key of C Major, which is the tonic of the song. It also contains few instances of chord extensions, inversions, and secondary dominants, which are widely used in pop music composition.

**

“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

**

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

Elton John – Sorry Seems To Be The Hardest Word – Verse 2

Add To Favorites Remove From Favorites

Chord Progression

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]

Chord Progression Analysis

Below is a listing of all the full chord names and their roman numerals in the progression given:

“`chord-block
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
F#m7-5 (‘ii°7’),
B7sus4 (‘v7sus4’),
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
D/F# (‘VII6/5’)
“`
G, D, and D7 are borrowed from the parallel major.

Similar Chord Progressions

1. The Beatles: “Let It Be”

Here also the chord progression moves between minor and major. The original key is C Major, but it frequently utilizes the parallel minor key of A minor for contrast. The progression is:

“`chord-block
C (‘I’),
G (‘V’),
Am (‘vi’),
F (‘IV’)
“`

2. Trouble by Coldplay:

Here the band also uses a variation of the i-iv-vii progression to great effect. The progression in E Minor is:

“`chord-block
Em7 (‘i7’),
Am7 (‘iv7’),
D/F# (‘VII6/5’)
“`

Musical Analysis

Elton John moves his progression back and forth between minor (i) and major (III), culminating in the transitional D/F# from the vii of Em to the III (G) of the key. This combination of tension (from the half-diminished F#m7b5 and sus4 chords) and resolution (from the major-minor transitions) forms the emotional core of the song. The use of the Em7 emphasizes the key center while the Am provides a smooth transition point.

Overall Analysis

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

Style Analysis

John consistently utilizes ‘borrowed’ chords from parallel keys to add color and emotional weight to his progressions. His use of 7th and sus4 chords also helps to provide tension and drama that enhances the emotional impact of both the melodic and lyrical content. The use of the D/F# as a bass walk down transitioning chord is a common stylistic choice for Elton.

Chords in the Verse 2 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]