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Related Music Theory Alchemy

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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

Elton John – Sorry Seems To Be The Hardest Word – Verse 2

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Chord Progression

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]

Chord Progression Analysis

Below is a listing of all the full chord names and their roman numerals in the progression given:

“`chord-block
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
F#m7-5 (‘ii°7’),
B7sus4 (‘v7sus4’),
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
D/F# (‘VII6/5’)
“`
G, D, and D7 are borrowed from the parallel major.

Similar Chord Progressions

1. The Beatles: “Let It Be”

Here also the chord progression moves between minor and major. The original key is C Major, but it frequently utilizes the parallel minor key of A minor for contrast. The progression is:

“`chord-block
C (‘I’),
G (‘V’),
Am (‘vi’),
F (‘IV’)
“`

2. Trouble by Coldplay:

Here the band also uses a variation of the i-iv-vii progression to great effect. The progression in E Minor is:

“`chord-block
Em7 (‘i7’),
Am7 (‘iv7’),
D/F# (‘VII6/5’)
“`

Musical Analysis

Elton John moves his progression back and forth between minor (i) and major (III), culminating in the transitional D/F# from the vii of Em to the III (G) of the key. This combination of tension (from the half-diminished F#m7b5 and sus4 chords) and resolution (from the major-minor transitions) forms the emotional core of the song. The use of the Em7 emphasizes the key center while the Am provides a smooth transition point.

Overall Analysis

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

Style Analysis

John consistently utilizes ‘borrowed’ chords from parallel keys to add color and emotional weight to his progressions. His use of 7th and sus4 chords also helps to provide tension and drama that enhances the emotional impact of both the melodic and lyrical content. The use of the D/F# as a bass walk down transitioning chord is a common stylistic choice for Elton.

Chords in the Verse 2 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]