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Related Music Theory Alchemy

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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

“Sour Times” by Portishead is largely written in the key of C# minor, with elements of modal interchange and chromaticism that contribute to its haunting, dark sound. The song exhibits a remarkable amount of harmonic complexity and non-diatonic harmony, which is a defining characteristic of the trip-hop genre. The piece makes use of intricate inversions and chromatic voice leading, along with a frequent use of sevenths and diminished chords for added tension.

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

“Heart Is A Drum” by Beck, from the album Morning Phase (2014), features a simple but effective chord progression in the key of C major. This song can be classified as alternative folk rock, and the harmonies used in the chord progression are quite common in this genre, as well as popular music in general. The progression creates a sense of nostalgia and emotional resonance, elevated by Beck’s lyricism and vocal delivery.

Elton John – Sorry Seems To Be The Hardest Word – Verse 2

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Chord Progression

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]

Chord Progression Analysis

Below is a listing of all the full chord names and their roman numerals in the progression given:

“`chord-block
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
F#m7-5 (‘ii°7’),
B7sus4 (‘v7sus4’),
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
D/F# (‘VII6/5’)
“`
G, D, and D7 are borrowed from the parallel major.

Similar Chord Progressions

1. The Beatles: “Let It Be”

Here also the chord progression moves between minor and major. The original key is C Major, but it frequently utilizes the parallel minor key of A minor for contrast. The progression is:

“`chord-block
C (‘I’),
G (‘V’),
Am (‘vi’),
F (‘IV’)
“`

2. Trouble by Coldplay:

Here the band also uses a variation of the i-iv-vii progression to great effect. The progression in E Minor is:

“`chord-block
Em7 (‘i7’),
Am7 (‘iv7’),
D/F# (‘VII6/5’)
“`

Musical Analysis

Elton John moves his progression back and forth between minor (i) and major (III), culminating in the transitional D/F# from the vii of Em to the III (G) of the key. This combination of tension (from the half-diminished F#m7b5 and sus4 chords) and resolution (from the major-minor transitions) forms the emotional core of the song. The use of the Em7 emphasizes the key center while the Am provides a smooth transition point.

Overall Analysis

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

Style Analysis

John consistently utilizes ‘borrowed’ chords from parallel keys to add color and emotional weight to his progressions. His use of 7th and sus4 chords also helps to provide tension and drama that enhances the emotional impact of both the melodic and lyrical content. The use of the D/F# as a bass walk down transitioning chord is a common stylistic choice for Elton.

Chords in the Verse 2 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]