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Related Music Theory Alchemy

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

The chorus of Taylor Swift’s “Guilty as Sin?” showcases a rich and dynamic chord progression that reflects the song’s emotional intensity and narrative depth. This progression, with its interplay of major, major seventh, and minor chords, provides a musical canvas that enhances the emotional weight of the lyrics, indicative of Swift’s sophisticated songwriting approach.

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‘Set Fire to the Rain’ is written in the key of D minor. The main course of progression uses the chords of Dm, B-flat Major, F Major and C Major. This is a 6-4-1-5 progression, which is very popular and is used in a lot of pop music.

What makes this progression interesting is that Adele uses the 2nd inversion of the A minor chord, Am/B, and G/A, which gives it a unique timbre. `Am/B` is the 2nd inversion of the `Am` chord and `G/A` is the 2nd inversion of the `G` chord.

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“Idioteque” by Radiohead is an experimental and atmospheric electronic song, released on the album “Kid A” in 2000. The chord progression of the chorus is fairly simple, yet features some distinctive chords which create a sense of tension and release. It incorporates modal mixture and chromatic mediants, which are typical elements found in Radiohead’s music.

Elton John – Bennie And The Jets – Chorus

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Chord Progression

[‘G’, ‘Am7’, ‘C7’, ‘C’, ‘G’, ‘Am7’, ‘C’, ‘D’, ‘Em’, ‘Em/D’, ‘C’, ‘Bb/C’, ‘G’, ‘F’]

Chord Progression Analysis

“`
G (I),
Am7 (ii7),
C7 (IV7 – borrowed chord from G Mixolydian),
C (IV),
G (I),
Am7 (ii7),
C (IV),
D (V),
Em (vi),
Em/D (vi / V),
C (IV),
Bb/C (bIII / IV – borrowed chord from G Mixolydian),
G (I), F (bVII – borrowed chord from G Mixolydian)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”:
“`
C (I), G (V), Am (vi), F (IV)’.
“`
It is not exactly the same, but similarly, it also uses diatonic chords and the progression has the same “resolved” feeling to it.

2. Eagles – “Hotel California”:
“`
‘Bm (i),
F# (V),
A (VII),
E (IV),
G (bVI),
D (bIII),
Em (iv),
F#(V)`
“`

This song also employs a good amount of borrowed chords, similar to “Bennie And The Jets”.

Musical Analysis

Elton John uses diatonic chords in the key of G Major, like G (I), Am7 (ii7), C (IV) and D (V), to establish a clear tonality. He includes some modal interchange with the use of C7, Bb/C and F which are borrowed from the mixolidian mode. This provides a bit of bluesy flavor to the song. The use of the Am7 (ii7) also suggests a dorian feel, as it’s often used in jazz and soul music, genres that have influenced Elton John’s style. The Em/D is a classic example of a slash chord where the bass note (D) is different from the root of the chord (Em). This chord functions mainly as a passing chord leading back to the tonic G.

Overall Analysis

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

Style Analysis

“Bennie And The Jets” is a fusion of pop, rock, and glam rock with hints of soul, R&B, and gospel, styles that frequently make an appearance in Elton John’s repertoire. Elton’s powerful and ornamented piano playing, combined with his emotive vocal delivery, add to the song’s overall dramatic atmosphere.

Chords in the Chorus section of Bennie And The Jets by Elton John are:

[‘G’, ‘Am7’, ‘C7’, ‘C’, ‘G’, ‘Am7’, ‘C’, ‘D’, ‘Em’, ‘Em/D’, ‘C’, ‘Bb/C’, ‘G’, ‘F’]