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Related Music Theory Alchemy

“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

“Idioteque” by Radiohead is an experimental and atmospheric electronic song, released on the album “Kid A” in 2000. The chord progression of the chorus is fairly simple, yet features some distinctive chords which create a sense of tension and release. It incorporates modal mixture and chromatic mediants, which are typical elements found in Radiohead’s music.

Elton John – Bennie And The Jets – Chorus

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Chord Progression

[‘G’, ‘Am7’, ‘C7’, ‘C’, ‘G’, ‘Am7’, ‘C’, ‘D’, ‘Em’, ‘Em/D’, ‘C’, ‘Bb/C’, ‘G’, ‘F’]

Chord Progression Analysis

“`
G (I),
Am7 (ii7),
C7 (IV7 – borrowed chord from G Mixolydian),
C (IV),
G (I),
Am7 (ii7),
C (IV),
D (V),
Em (vi),
Em/D (vi / V),
C (IV),
Bb/C (bIII / IV – borrowed chord from G Mixolydian),
G (I), F (bVII – borrowed chord from G Mixolydian)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”:
“`
C (I), G (V), Am (vi), F (IV)’.
“`
It is not exactly the same, but similarly, it also uses diatonic chords and the progression has the same “resolved” feeling to it.

2. Eagles – “Hotel California”:
“`
‘Bm (i),
F# (V),
A (VII),
E (IV),
G (bVI),
D (bIII),
Em (iv),
F#(V)`
“`

This song also employs a good amount of borrowed chords, similar to “Bennie And The Jets”.

Musical Analysis

Elton John uses diatonic chords in the key of G Major, like G (I), Am7 (ii7), C (IV) and D (V), to establish a clear tonality. He includes some modal interchange with the use of C7, Bb/C and F which are borrowed from the mixolidian mode. This provides a bit of bluesy flavor to the song. The use of the Am7 (ii7) also suggests a dorian feel, as it’s often used in jazz and soul music, genres that have influenced Elton John’s style. The Em/D is a classic example of a slash chord where the bass note (D) is different from the root of the chord (Em). This chord functions mainly as a passing chord leading back to the tonic G.

Overall Analysis

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

Style Analysis

“Bennie And The Jets” is a fusion of pop, rock, and glam rock with hints of soul, R&B, and gospel, styles that frequently make an appearance in Elton John’s repertoire. Elton’s powerful and ornamented piano playing, combined with his emotive vocal delivery, add to the song’s overall dramatic atmosphere.

Chords in the Chorus section of Bennie And The Jets by Elton John are:

[‘G’, ‘Am7’, ‘C7’, ‘C’, ‘G’, ‘Am7’, ‘C’, ‘D’, ‘Em’, ‘Em/D’, ‘C’, ‘Bb/C’, ‘G’, ‘F’]