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The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

“Have You Ever Seen The Rain” is a popular song by Creedence Clearwater Revival from the 1971 album “Pendulum”. This song is performed in the key of C major, and uses chords from the diatonic scale. However, it also utilizes borrowed chords and chord inversions to create a bit of colour and novelty.

The chord progression of Radiohead’s “Everything In Its Right Place” is unique and complex, which contributes to the dreamy, atmospheric, and rich harmonic content prevalent in the song. Its ambiguous key center and shifting tonal centers create a sense of fluidity and unpredictability, commonly observed in Radiohead’s style. The chorus features a blend of diatonic and borrowed chords from parallel keys, which creates a colorful, almost impressionist quality to the progression.

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

Daniel Caesar – Get You – Chorus

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

Em (ii), F#m7 (iii7), Bm (vi), A7 (V7), Em (ii), F#m7 (iii7), Bm (vi), A7 (V7)
`Borrowed Chord: Em (ii borrowed from D minor)`

Similar Chord Progressions

1. “Lovely Day” by Bill Withers: Cmaj7 (I7), Bm7 (ii7), Em7 (iii7), A7 (V7), Dm7 (vi7), G7 (V7 of Cmaj7)
2. “Killing Me Softly” by Roberta Flack: Fmaj7 (I7), Gmaj7 (V7 of ii), Em7 (ii7), Am7 (vi7), Dm7 (vi7), G7 (V7 of Fmaj7)

Both “Lovely Day” and “Killing Me Softly” employ similar R&B/soul chord progressions utilizing borrowed chords, creating a lush harmony that evokes emotional warmth. The play between major and minor tonalities and smooth chord transitions are characteristic of these songs and create a connection to Caesar’s “Get You.”

Musical Analysis

The chord progression in “Get You” starts with a borrowed ii chord (Em) from the parallel minor key, D minor, immediately establishing a unique and evocative sound. This is followed by the iii7 (F#m7), vi (Bm), and V7 (A7) chords, all diatonic to D major, giving the progression a sense of familiarity, while still retaining its distinctive color. The progression then repeats, reinforcing the overall harmony.

The use of the borrowed chord (Em) creates a mix of both minor and major tonalities, which contributes to the song’s warm and emotional atmosphere. The presence of the iii7 (F#m7), vi (Bm), and V7 (A7) chords provides a sense of resolution and direction to the progression, with the V7 chord functioning as a dominant, driving the tension towards the next repetition of the progression.

Overall Analysis

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

Style Analysis

“Get You” is a contemporary R&B and soul ballad, evoking the classic feel of timeless artists such as Donny Hathaway, Stevie Wonder, and Marvin Gaye, but with updated production and arrangements. Caesar’s delivery is smooth and heartfelt, his voice blending with the instruments to create a rich and enveloping atmosphere. The combination of the soulful chord progression, borrowed chords, and Caesar’s silky vocals project a nostalgic and emotional feel that is characteristic of the genre.

Chords in the Chorus section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7