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“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

Chris Isaak – Wicked Game – Verse 2

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Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

Here is a complete listing of the full chord names and their Roman Numerals:

“`
B minor (‘i’),
A Major (‘VII’),
E Major (‘IV’)
“`

There are no borrowed chords in this chord progression.

Similar Chord Progressions

“Every Breath You Take” by The Police and “Stand By Me” by Ben E. King use similar, though not identical, progressions. The following are the chord progressions of these songs:

“Every Breath You Take” by The Police – [G Major (‘I’), Em (‘vi’), A7 (‘VII7’), D (‘IV’), C (‘♭III’)]

“Stand By Me” by Ben E. King – [C# minor (‘i’), E Major (‘III’), F# Major (‘V’), B Major (‘VII’)]

Although these progressions are not completely similar to “Wicked Game,” they share the quality of repeating the same sequence of chords throughout the entire song, and have a similar mood.

Musical Analysis

The song utilizes a basic three-chord progression throughout most of the song, revolving around the B minor key’s tonic (‘i’), subtonic (‘VII’) and subdominant (‘IV’) chords. This progression contributes to the song’s dreamy and melancholic mood. The use of the E Major chord in the progression (‘IV’) is interesting, indicating a deviation from the conventional diatonic chords found in a typical B minor key, which would typically have an E minor instead of an E Major.

Overall Analysis

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

Style Analysis

“Wicked Game” is heavily influenced by the rockabilly and roots rock styles of the 1950s and early ’60s, as evidenced by its simple, yet effective chord progressions and soaring falsetto vocals. However, its production and atmosphere lean more towards an echoing, dreamy style which was popular in late ’80s and early ’90s pop music.

Chords in the Verse 2 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]