Search

Related Music Theory Alchemy

“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.

The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

Chris Isaak – Wicked Game – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

Here is a complete listing of the full chord names and their Roman Numerals:

“`
B minor (‘i’),
A Major (‘VII’),
E Major (‘IV’)
“`

There are no borrowed chords in this chord progression.

Similar Chord Progressions

“Every Breath You Take” by The Police and “Stand By Me” by Ben E. King use similar, though not identical, progressions. The following are the chord progressions of these songs:

“Every Breath You Take” by The Police – [G Major (‘I’), Em (‘vi’), A7 (‘VII7’), D (‘IV’), C (‘♭III’)]

“Stand By Me” by Ben E. King – [C# minor (‘i’), E Major (‘III’), F# Major (‘V’), B Major (‘VII’)]

Although these progressions are not completely similar to “Wicked Game,” they share the quality of repeating the same sequence of chords throughout the entire song, and have a similar mood.

Musical Analysis

The song utilizes a basic three-chord progression throughout most of the song, revolving around the B minor key’s tonic (‘i’), subtonic (‘VII’) and subdominant (‘IV’) chords. This progression contributes to the song’s dreamy and melancholic mood. The use of the E Major chord in the progression (‘IV’) is interesting, indicating a deviation from the conventional diatonic chords found in a typical B minor key, which would typically have an E minor instead of an E Major.

Overall Analysis

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

Style Analysis

“Wicked Game” is heavily influenced by the rockabilly and roots rock styles of the 1950s and early ’60s, as evidenced by its simple, yet effective chord progressions and soaring falsetto vocals. However, its production and atmosphere lean more towards an echoing, dreamy style which was popular in late ’80s and early ’90s pop music.

Chords in the Verse 2 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]