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Related Music Theory Alchemy

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

“Wicked Game” is a song that sits neatly within the Pop-Rock category and is known for its haunting melody and introspective lyrics. It has a very simple chord progression that affects a moody, melancholic ambience. This type of progression is very common in popular music across all genres due to its simplicity and potential for various melodic and lyrical directions.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

Chris Isaak – Wicked Game – Verse 1

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Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

The entire verse revolves around the chords B minor (‘i’), A major (‘VII’) and E major (‘IV’). The A major is the 7th degree in B minor key and the E major is the 4th degree in B minor key.

““
B minor (‘i’), A major (‘VII’), E major (‘IV’),
B minor (‘i’), A major (‘VII’), E major (‘IV’),
B minor (‘i’), A major (‘VII’), E major (‘IV’),
B minor (‘i’), A major (‘VII’), E major (‘IV’)
““

Similar Chord Progressions

A number of other artists have used similar progressions to great effect and have created similarly emotive songs. One prominent example is the classic “House of the Rising Sun” by The Animals. Here’s the core chord progression:

““
House of the Rising Sun by The Animals:
Am (‘i’), C (‘III’), D (‘IV’), F (‘VI’),
Am (‘i’), C (‘E’), E (‘VII’).
““

Note the use of both minor and major chords to create suspense and interest, as well as the use of borrowed chords from the parallel major scale. We can see similarities between this song and “Wicked Game”. Both use a borrowing technique to include major chords from the parallel major key, and both songs have a haunting, melancholic feel underscoring the emotive lyrics.

Musical Analysis

The song begins on the tonic chord (Bm – ‘i’), providing a sense of home base. This is then followed by A major (‘VII’), which acts as a subtonic chord. The subtonic chord provides a strong pull back to the tonic chord.
Finally, we have the E major (‘IV’) chord – this is a borrowed chord from the parallel major scale (B Major), which adds more color and tension to the progression, making it interesting and less predictable.

Overall Analysis

“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

Style Analysis

Chris Isaak’s “Wicked Game” is typically categorized as a ballad within the rock genre. Its haunting and emotive melody are not unlike those of many classic rock ballads, and the alternation between minor and major chords helps to amplify the emotional tension and expressiveness of the song.

Chords in the Verse 1 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]