Music Theory Alchemy

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The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

The outro chord progression of “Are We Still Friends” by Tyler, The Creator has an interesting and somewhat unconventional structure. It’s composed of four chords and follows a pattern that showcases chromatic motion, a key element often found in the music of Tyler, The Creator. The vamp is harmonically ambiguous, relying on the dynamic interplay between the chords to create tension and resolution.

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The song, ‘Across the Universe’ by The Beatles is uniquely complex in its melody and chord progression. The song modulates or shifts key but is rooted mainly in D major. The song utilizes the standard rock/pop song structure of Verse, Chorus, and Outro. The unusual facet of this song’s composition is the use of borrowed chords (non-diatonic chords) that add unexpected twists to an otherwise typical chord progression.

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The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

Beck – Think Im In Love – Outro

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Chord Progression

F, F, F, F, F, F, F, F

Chord Progression Analysis

F Major (‘I’) – x8

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All chords are diatonic.
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Similar Chord Progressions

While it’s not common to find many songs that use a progression that consists solely of one repeated chord, there are other artists and songs that employ simple, minimal chord progressions or prolonged repetition of a single chord:

1. The Velvet Underground – “Heroin”
Chord Progression: D Major (‘I’), A Major (‘V’)

2. The Beatles – “She’s Leaving Home”
Chord Progression: E♭ Major (‘I’), D Major (‘♭VII’), D♭ Major (‘♭VI’)

3. Radiohead – “No Surprises”
Chord Progression: G Major (‘I’), D Major (‘V’), E♭ Major (‘♭VI’), C Major (‘IV’)

These examples employ simple, minimal chord progressions, although they do not match the exact chord pattern found in the Outro of “Think I’m In Love”. Nevertheless, they can help highlight the unique nature of Beck’s musical choices and provide some context for understanding his simplistic approach to harmony.

Musical Analysis

Throughout the Outro, Beck uses the repeated F Major chords to establish a firm tonal center, creating a strong sense of resolution. The repetitive nature of the chord progression in the Outro supports the song’s simple and catchy melodic lines, as well as the laid-back, easy-going atmosphere of the piece. The use of F Major also adds a sense of warmth and light-heartedness, which is very characteristic of Beck’s early sound.

Overall Analysis

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

Style Analysis

“Think I’m In Love” fits in with Beck’s distinctive amalgamation of styles that often blend elements from indie rock and popular, alternative music. The song’s simple arrangement, with a focus on the piano and guitar, along with the minimalistic chord progression, are typical of Beck’s earlier, more stripped-down sound. This particular chord progression prominently features a repeated tonic chord, which can be seen as a nod to minimalism and perhaps even influenced by experimental or drone music.

Chords in the Outro section of Think Im In Love by Beck are:

F, F, F, F, F, F, F, F