Music Theory Alchemy

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This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

“Yesterday” by The Beatles is a classic Pop song in F Major maintaining a 2/2 time signature. The song changes the chords frequently to create a rich harmonic texture, and is known for its iconic descending guitar melody.

Beck – Think Im In Love – Outro

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Chord Progression

F, F, F, F, F, F, F, F

Chord Progression Analysis

F Major (‘I’) – x8

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All chords are diatonic.
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Similar Chord Progressions

While it’s not common to find many songs that use a progression that consists solely of one repeated chord, there are other artists and songs that employ simple, minimal chord progressions or prolonged repetition of a single chord:

1. The Velvet Underground – “Heroin”
Chord Progression: D Major (‘I’), A Major (‘V’)

2. The Beatles – “She’s Leaving Home”
Chord Progression: E♭ Major (‘I’), D Major (‘♭VII’), D♭ Major (‘♭VI’)

3. Radiohead – “No Surprises”
Chord Progression: G Major (‘I’), D Major (‘V’), E♭ Major (‘♭VI’), C Major (‘IV’)

These examples employ simple, minimal chord progressions, although they do not match the exact chord pattern found in the Outro of “Think I’m In Love”. Nevertheless, they can help highlight the unique nature of Beck’s musical choices and provide some context for understanding his simplistic approach to harmony.

Musical Analysis

Throughout the Outro, Beck uses the repeated F Major chords to establish a firm tonal center, creating a strong sense of resolution. The repetitive nature of the chord progression in the Outro supports the song’s simple and catchy melodic lines, as well as the laid-back, easy-going atmosphere of the piece. The use of F Major also adds a sense of warmth and light-heartedness, which is very characteristic of Beck’s early sound.

Overall Analysis

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

Style Analysis

“Think I’m In Love” fits in with Beck’s distinctive amalgamation of styles that often blend elements from indie rock and popular, alternative music. The song’s simple arrangement, with a focus on the piano and guitar, along with the minimalistic chord progression, are typical of Beck’s earlier, more stripped-down sound. This particular chord progression prominently features a repeated tonic chord, which can be seen as a nod to minimalism and perhaps even influenced by experimental or drone music.

Chords in the Outro section of Think Im In Love by Beck are:

F, F, F, F, F, F, F, F