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Related Music Theory Alchemy

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

Beck – Think Im In Love – Outro

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Chord Progression

F, F, F, F, F, F, F, F

Chord Progression Analysis

F Major (‘I’) – x8

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All chords are diatonic.
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Similar Chord Progressions

While it’s not common to find many songs that use a progression that consists solely of one repeated chord, there are other artists and songs that employ simple, minimal chord progressions or prolonged repetition of a single chord:

1. The Velvet Underground – “Heroin”
Chord Progression: D Major (‘I’), A Major (‘V’)

2. The Beatles – “She’s Leaving Home”
Chord Progression: E♭ Major (‘I’), D Major (‘♭VII’), D♭ Major (‘♭VI’)

3. Radiohead – “No Surprises”
Chord Progression: G Major (‘I’), D Major (‘V’), E♭ Major (‘♭VI’), C Major (‘IV’)

These examples employ simple, minimal chord progressions, although they do not match the exact chord pattern found in the Outro of “Think I’m In Love”. Nevertheless, they can help highlight the unique nature of Beck’s musical choices and provide some context for understanding his simplistic approach to harmony.

Musical Analysis

Throughout the Outro, Beck uses the repeated F Major chords to establish a firm tonal center, creating a strong sense of resolution. The repetitive nature of the chord progression in the Outro supports the song’s simple and catchy melodic lines, as well as the laid-back, easy-going atmosphere of the piece. The use of F Major also adds a sense of warmth and light-heartedness, which is very characteristic of Beck’s early sound.

Overall Analysis

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

Style Analysis

“Think I’m In Love” fits in with Beck’s distinctive amalgamation of styles that often blend elements from indie rock and popular, alternative music. The song’s simple arrangement, with a focus on the piano and guitar, along with the minimalistic chord progression, are typical of Beck’s earlier, more stripped-down sound. This particular chord progression prominently features a repeated tonic chord, which can be seen as a nod to minimalism and perhaps even influenced by experimental or drone music.

Chords in the Outro section of Think Im In Love by Beck are:

F, F, F, F, F, F, F, F