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Related Music Theory Alchemy

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

The song “Take Me Home, Country Roads” by John Denver is written in the key of G Major. The chord progression in the bridge made use of the four main chords in this key, which are G, Em, C, and D along with an interesting use of the F chord, which is a borrowed chord from the parallel minor key of G minor.

Beck – Say Goodbye – Bridge

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Chord Progression

D, C

Chord Progression Analysis

D Major (I) – C Major (bVII)

Borrowed chord:
`C Major (bVII)`

Similar Chord Progressions

1. Neil Young – “Down by the River”
Chord Progression:
E Minor (i) – D Major (bVII)

2. The Beatles – “Hey Jude”
Chord Progression (during the outro section):
F Major (I) – E-flat Major (bVII)

3. Radiohead – “Karma Police”
Chord progression (during the chorus):
G Major (I) – F Major (bVII)

These songs feature a similar bVII movement, which contributes to their unique and memorable nature.

Musical Analysis

The bridge oscillates between the D Major and C Major chords. The use of the flattened seventh chord (C Major) in the key of D Major adds a touch of unexpectedness and intrigue, making the progression engaging. This movement between the tonic and the borrowed chord from the mixolydian mode makes the progression sound unique and captivating.

Overall Analysis

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

Style Analysis

Beck is known for blending various styles of music, such as folk, rock, and electronica. The choice of this simple yet unexpected chord progression contributes to his signature eclecticism. The use of the bVII chord in a major key has a hint of modal mixture, adding an element of surprise as well as lending it a distinct “Beck” quality. It’s worth noting that this chord progression can be often found in various genres, particularly in rock, alternative music, and indie.

Chords in the Bridge section of Say Goodbye by Beck are:

D, C