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Related Music Theory Alchemy

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

“Dazed and Confused” by Led Zeppelin is an iconic rock song that features a descending bass line and bluesy chord progressions. The outro takes on a more aggressive tone and the chords are power chords, which give the song a heavy sound. These power chords, mixed with the syncopated rhythm and the blues-rock influences, contribute to the song’s unique character.

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

“Beast of Burden,” by The Rolling Stones, a song characterized by a typical rock-pop structure, primarily uses a IV-chord loop in the key of E major. The chord progression in the outro follows a specific sequence: E, to B, to C#m, to A. The return to the E at the end of the progression gives it a circular feel that encourages cohesion.

Beck – Paper Tiger – Outro

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E Major (I) – E7 (V7/iv) – B minor (iv)

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Am (i) – Am/G (i/♭VII) – Am/F♯ (i/♮VI) – Am/G (i/♭VII)

2. Radiohead – “Karma Police”
Am (i) – D7/Ab (V7/iv/v) – G (♭VII) – D (iv)

3. David Bowie – “Space Oddity”
C (I) – E7 (V7/vi) – F (IV) – Fm (iv)

Musical Analysis

The chord progression starts with E Major, establishing the tonic in the key of E Major. Then the E7 chord serves as a secondary dominant, as it is the dominant seventh of the following B minor chord, which is a borrowed minor subdominant (iv) from the parallel minor key, E minor. This borrowed chord adds a sense of tension and surprise, making the progression more interesting.

Overall Analysis

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

Style Analysis

In the context of alternative rock, this chord progression can be seen as simple but effective, with the use of borrowed chords and secondary dominants creating a sense of harmonic tension and release. The progression is reminiscent of other rock and pop songs from the late ’60s and ’70s era, reflecting the influence of psychedelia and baroque pop. Beck is also known for his fondness for musical experimentation, and this chord progression showcases his keen sense of harmony and tonality in his songwriting.

Chords in the Outro section of Paper Tiger by Beck are:

E, E7, Bm