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“Paper Tiger” by Beck is a unique and stylistic piece, displaying a blend of various genres and influences. The verse 2 chord progression is quite simple, but the harmonic choices create tension and provide a sense of movement throughout the progression. Combining the elements of rock, folk, and alternative music, this chord progression is both intriguing and musically satisfying.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

Beck – Paper Tiger – Outro

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E Major (I) – E7 (V7/iv) – B minor (iv)

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Am (i) – Am/G (i/♭VII) – Am/F♯ (i/♮VI) – Am/G (i/♭VII)

2. Radiohead – “Karma Police”
Am (i) – D7/Ab (V7/iv/v) – G (♭VII) – D (iv)

3. David Bowie – “Space Oddity”
C (I) – E7 (V7/vi) – F (IV) – Fm (iv)

Musical Analysis

The chord progression starts with E Major, establishing the tonic in the key of E Major. Then the E7 chord serves as a secondary dominant, as it is the dominant seventh of the following B minor chord, which is a borrowed minor subdominant (iv) from the parallel minor key, E minor. This borrowed chord adds a sense of tension and surprise, making the progression more interesting.

Overall Analysis

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

Style Analysis

In the context of alternative rock, this chord progression can be seen as simple but effective, with the use of borrowed chords and secondary dominants creating a sense of harmonic tension and release. The progression is reminiscent of other rock and pop songs from the late ’60s and ’70s era, reflecting the influence of psychedelia and baroque pop. Beck is also known for his fondness for musical experimentation, and this chord progression showcases his keen sense of harmony and tonality in his songwriting.

Chords in the Outro section of Paper Tiger by Beck are:

E, E7, Bm