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The chord progression in Beck’s “Morning” is a 9-chord progression in the key of A major. This chord progression employs borrowed chords and has a unique structure that includes secondary dominant chords and mediant substitutions. The chords are mostly major with a mix of some minor chords.

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

Beck – Morning – VERSE 2

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Chord Progression

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m

Chord Progression Analysis

E Major (I) – A Major (IV) – G# minor (iii) – F# minor (ii)

Similar Chord Progressions

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

2. “Creep” by Radiohead:
G Major (I) – B Major (III) – C Major (IV) – C minor (iv)

3. “Someone Like You” by Adele:
A Major (I) – E Major (V) – F# minor (vi) – D Major (IV)

4. “No Surprises” by Radiohead:
D Major (I) – B minor (vi) – G Major (IV) – G minor (iv)

Musical Analysis

This progression begins on the E Major tonic chord (I) which establishes the key center of the song. It then moves to the subdominant chord (IV), A Major, introducing warmth and color. Next, it resolves to the mediant, G# minor (iii), which shares two common tones with the A Major chord. This relationship provides a smooth transition that adds a melancholy element. Finally, the progression moves to the supertonic (ii), F# minor, adding tension and propelling the progression back to the tonic (I), E Major.

Overall Analysis

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

Style Analysis

Beck’s “Morning” falls within the genre of indie folk and acoustic rock. The chord progression’s simplicity and diatonic nature are common in these genres, offering a comforting quality that supports storytelling lyrics. The use of easy-to-play open chords and repetitive nature contribute to the song’s accessibility for listeners and musicians alike.

Chords in the Verse 2 section of Morning by Beck are:

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m