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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

“My Name Is Jonas” by Weezer is a 90s alternative rock song featuring a catchy chord progression and memorable melodies. The verse 2 chord progression consists of a repeated set of chords: C, G, Am, F. This progression is common in popular music and creates a sense of familiarity for the listener. The key is C Major.

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

Beck – Morning – VERSE 2

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Chord Progression

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m

Chord Progression Analysis

E Major (I) – A Major (IV) – G# minor (iii) – F# minor (ii)

Similar Chord Progressions

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

2. “Creep” by Radiohead:
G Major (I) – B Major (III) – C Major (IV) – C minor (iv)

3. “Someone Like You” by Adele:
A Major (I) – E Major (V) – F# minor (vi) – D Major (IV)

4. “No Surprises” by Radiohead:
D Major (I) – B minor (vi) – G Major (IV) – G minor (iv)

Musical Analysis

This progression begins on the E Major tonic chord (I) which establishes the key center of the song. It then moves to the subdominant chord (IV), A Major, introducing warmth and color. Next, it resolves to the mediant, G# minor (iii), which shares two common tones with the A Major chord. This relationship provides a smooth transition that adds a melancholy element. Finally, the progression moves to the supertonic (ii), F# minor, adding tension and propelling the progression back to the tonic (I), E Major.

Overall Analysis

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

Style Analysis

Beck’s “Morning” falls within the genre of indie folk and acoustic rock. The chord progression’s simplicity and diatonic nature are common in these genres, offering a comforting quality that supports storytelling lyrics. The use of easy-to-play open chords and repetitive nature contribute to the song’s accessibility for listeners and musicians alike.

Chords in the Verse 2 section of Morning by Beck are:

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m