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Related Music Theory Alchemy

The chord progression in Beck’s “Morning” is a 9-chord progression in the key of A major. This chord progression employs borrowed chords and has a unique structure that includes secondary dominant chords and mediant substitutions. The chords are mostly major with a mix of some minor chords.

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

Beck – Morning – VERSE 2

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Chord Progression

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m

Chord Progression Analysis

E Major (I) – A Major (IV) – G# minor (iii) – F# minor (ii)

Similar Chord Progressions

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

2. “Creep” by Radiohead:
G Major (I) – B Major (III) – C Major (IV) – C minor (iv)

3. “Someone Like You” by Adele:
A Major (I) – E Major (V) – F# minor (vi) – D Major (IV)

4. “No Surprises” by Radiohead:
D Major (I) – B minor (vi) – G Major (IV) – G minor (iv)

Musical Analysis

This progression begins on the E Major tonic chord (I) which establishes the key center of the song. It then moves to the subdominant chord (IV), A Major, introducing warmth and color. Next, it resolves to the mediant, G# minor (iii), which shares two common tones with the A Major chord. This relationship provides a smooth transition that adds a melancholy element. Finally, the progression moves to the supertonic (ii), F# minor, adding tension and propelling the progression back to the tonic (I), E Major.

Overall Analysis

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

Style Analysis

Beck’s “Morning” falls within the genre of indie folk and acoustic rock. The chord progression’s simplicity and diatonic nature are common in these genres, offering a comforting quality that supports storytelling lyrics. The use of easy-to-play open chords and repetitive nature contribute to the song’s accessibility for listeners and musicians alike.

Chords in the Verse 2 section of Morning by Beck are:

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m