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Related Music Theory Alchemy

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

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The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

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“Glory Box” by Portishead is a Trip Hop masterpiece which blends elements of blues, rock, soul, and electronic music together in an innovative and influential way. The song’s chord progression, as illustrated by the verse, is D minor, D minor with C in the bass (notated as Dm/C), B minor 7 flat 5, and B flat major 7. This particular chord progression gives an overall melancholy and haunting feeling throughout the song and sets the tone for the track.

Beck – Morning – VERSE 1

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Chord Progression

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m

Chord Progression Analysis

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E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)

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Similar Chord Progressions

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1. Bob Dylan – “Knockin’ on Heaven’s Door”
Chord Progression: G Major (I) – D Major (V) – A Minor (ii) – G Major (I) – D Major (V) – C Major (IV)

2. Green Day – “21 Guns”
Chord Progression: D Major (I) – A Major (V) – B Minor (vi) – G Major (IV)

3. Oasis – “Wonderwall”
Chord Progression: E Minor (i) – G Major (III) – D Major (VII) – A Major (IV)

These examples share some similarities with the chord progression in “Morning” in that they all make use of simple diatonic chords, have repetitive structures, and exhibit a sense of warmth and familiarity.

Musical Analysis

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The chord progression follows a simple, repetitive pattern that is common in pop and rock music. It has a strong sense of tonality with the E Major chord (I) beginning each cycle. The A Major chord (IV) provides a departure from the tonic and contributes to the sense of resolution when returning to E Major. The G# Minor (vi) and F# Minor (ii) chords both add some tension and emotion to the progression. The fact that there are no borrowed chords or modulations in this particular chord progression maintains a sense of familiarity and simplicity.

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Overall Analysis

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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Style Analysis

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The style of this chord progression is reflective of Beck’s indie/folk-rock sensibilities. The focus on diatonic chords creates a warm, folky feel. Furthermore, this straightforward and repetitive progression is typical of pop, rock, and folk genres, supporting a melodic and/or lyrical focus in the song.

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Chords in the Verse 1 section of Morning by Beck are:

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m