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Related Music Theory Alchemy

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

“House of the Rising Sun” by The Animals features a repeating chord progression in a minor key that gives the song a haunting, melancholic feel. This progression moves through the circle of fifths, features borrowed chords from its relative major key and has a strong resolution from the dominant to the tonic.

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

Beck – Morning – VERSE 1

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Chord Progression

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m

Chord Progression Analysis

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E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)

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Similar Chord Progressions

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1. Bob Dylan – “Knockin’ on Heaven’s Door”
Chord Progression: G Major (I) – D Major (V) – A Minor (ii) – G Major (I) – D Major (V) – C Major (IV)

2. Green Day – “21 Guns”
Chord Progression: D Major (I) – A Major (V) – B Minor (vi) – G Major (IV)

3. Oasis – “Wonderwall”
Chord Progression: E Minor (i) – G Major (III) – D Major (VII) – A Major (IV)

These examples share some similarities with the chord progression in “Morning” in that they all make use of simple diatonic chords, have repetitive structures, and exhibit a sense of warmth and familiarity.

Musical Analysis

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The chord progression follows a simple, repetitive pattern that is common in pop and rock music. It has a strong sense of tonality with the E Major chord (I) beginning each cycle. The A Major chord (IV) provides a departure from the tonic and contributes to the sense of resolution when returning to E Major. The G# Minor (vi) and F# Minor (ii) chords both add some tension and emotion to the progression. The fact that there are no borrowed chords or modulations in this particular chord progression maintains a sense of familiarity and simplicity.

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Overall Analysis

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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Style Analysis

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The style of this chord progression is reflective of Beck’s indie/folk-rock sensibilities. The focus on diatonic chords creates a warm, folky feel. Furthermore, this straightforward and repetitive progression is typical of pop, rock, and folk genres, supporting a melodic and/or lyrical focus in the song.

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Chords in the Verse 1 section of Morning by Beck are:

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m