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The outro of Beck’s song “Morning” features a beautiful and interesting chord progression in the key of E major. This progression has a mix of diatonic and borrowed chords that creates an evocative sonority and dreamy atmosphere, fitting seamlessly with the rest of the song.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

Tame Impala’s “Let It Happen” is a song in A major key. The chord progression seems simple at first, with a repetitive motive throughout the verse but it creates a hypnotic effect that is very much in line with Tame Impala’s psychedelic style.

“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

Beck – Morning – VERSE 1

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Chord Progression

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m

Chord Progression Analysis

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E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)
E Major (I) – A Major (IV) – G# Minor (vi) – F# Minor (ii)

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Similar Chord Progressions

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1. Bob Dylan – “Knockin’ on Heaven’s Door”
Chord Progression: G Major (I) – D Major (V) – A Minor (ii) – G Major (I) – D Major (V) – C Major (IV)

2. Green Day – “21 Guns”
Chord Progression: D Major (I) – A Major (V) – B Minor (vi) – G Major (IV)

3. Oasis – “Wonderwall”
Chord Progression: E Minor (i) – G Major (III) – D Major (VII) – A Major (IV)

These examples share some similarities with the chord progression in “Morning” in that they all make use of simple diatonic chords, have repetitive structures, and exhibit a sense of warmth and familiarity.

Musical Analysis

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The chord progression follows a simple, repetitive pattern that is common in pop and rock music. It has a strong sense of tonality with the E Major chord (I) beginning each cycle. The A Major chord (IV) provides a departure from the tonic and contributes to the sense of resolution when returning to E Major. The G# Minor (vi) and F# Minor (ii) chords both add some tension and emotion to the progression. The fact that there are no borrowed chords or modulations in this particular chord progression maintains a sense of familiarity and simplicity.

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Overall Analysis

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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Style Analysis

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The style of this chord progression is reflective of Beck’s indie/folk-rock sensibilities. The focus on diatonic chords creates a warm, folky feel. Furthermore, this straightforward and repetitive progression is typical of pop, rock, and folk genres, supporting a melodic and/or lyrical focus in the song.

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Chords in the Verse 1 section of Morning by Beck are:

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m