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Related Music Theory Alchemy

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

“Kiss” is a funk, synthpop song written, produced and performed by Prince. The song’s structure runs around a simple, repeated two-bar eight-note pattern, but what’s odd is the song’s key. Dotting between E and D, it’s hard to pin down definitively, but the song seems to be written in the ambiguous key of E Mixolydian/D major.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

The chord progression of Radiohead’s “Everything In Its Right Place” is unique and complex, which contributes to the dreamy, atmospheric, and rich harmonic content prevalent in the song. Its ambiguous key center and shifting tonal centers create a sense of fluidity and unpredictability, commonly observed in Radiohead’s style. The chorus features a blend of diatonic and borrowed chords from parallel keys, which creates a colorful, almost impressionist quality to the progression.

Beck – Lord Only Knows – Chorus

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Chord Progression

F#, B, F#, B, E, G#, B, G#, G, F#, B

Chord Progression Analysis

F# Major (V), B Major (I), F# Major (V), B Major (I), E Major (IV), G# Major (VI+), B Major (I), G# Major (VI+), G Major (bVI), F# Major (V), B Major (I)

Borrowed Chord:
`G Major (bVI)`

Similar Chord Progressions

1. “Creep” by Radiohead: [‘G Major (I)’, ‘B Major (III)’, ‘C Major (IV)’, ‘C minor (iv)’]
2. “Blackbird” by The Beatles: [‘G Major (I)’, ‘A minor (ii)’, ‘B flat Major (bIII)’, ‘C Major (IV)’, ‘D Major (V)’]
3. “Champagne Supernova” by Oasis: [‘A Major (I)’, ‘E Major (V)’, ‘F# minor (vi)’, ‘G Major (bVII)’]

Note that the chord progressions listed are not identical to the one in “Lord Only Knows” but share some elements of chromaticism and the use of borrowed chords or feature unexpected harmonic shifts.

Musical Analysis

The chorus begins with a strong V-I cadence (F# Major to B Major), which establishes the tonality of the piece. This cadence reoccurs throughout the progression. The E Major chord (IV) functions as a subdominant chord, preparing the listener for the arrival of the G# Major (VI+) chord, which is borrowed from the B Harmonic minor scale, creating tension.

This tension is resolved with the return to the tonic B Major (I) chord. The progression then moves to G# Major again. The G Major (bVI) chord is a borrowed chord from B minor and adds some chromaticism and surprise factor to the progression. The progression ends with a V-I (F# Major to B Major) cadence, providing a sense of closure.

Overall Analysis

The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

Style Analysis

Beck’s choice of chords and the way he employs borrowed chords and chromaticism reflects his penchant for alternative rock and indie music, infusing traditional rock/folk harmony with his unique and individualistic style. The harmonic choices make the progression memorable and instantly recognizable as a Beck composition.

Chords in the Chorus section of Lord Only Knows by Beck are:

F#, B, F#, B, E, G#, B, G#, G, F#, B