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“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

“Paper Tiger” by Beck is a unique and stylistic piece, displaying a blend of various genres and influences. The verse 2 chord progression is quite simple, but the harmonic choices create tension and provide a sense of movement throughout the progression. Combining the elements of rock, folk, and alternative music, this chord progression is both intriguing and musically satisfying.

“Tonight, Tonight” by The Smashing Pumpkins draws from the band’s unique style of alternative rock influenced by a distinct palette of harmonic choices. Particularly in the songwriting of Billy Corgan (the band’s primary songwriter), the band tends to use a mix of common and uncommon chords, together with a tendency of exploring different tonalities. Often, the chord changes are driven by guitar inversions, suspensions, or additions.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

Beck – Lord Only Knows – Chorus

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Chord Progression

F#, B, F#, B, E, G#, B, G#, G, F#, B

Chord Progression Analysis

F# Major (V), B Major (I), F# Major (V), B Major (I), E Major (IV), G# Major (VI+), B Major (I), G# Major (VI+), G Major (bVI), F# Major (V), B Major (I)

Borrowed Chord:
`G Major (bVI)`

Similar Chord Progressions

1. “Creep” by Radiohead: [‘G Major (I)’, ‘B Major (III)’, ‘C Major (IV)’, ‘C minor (iv)’]
2. “Blackbird” by The Beatles: [‘G Major (I)’, ‘A minor (ii)’, ‘B flat Major (bIII)’, ‘C Major (IV)’, ‘D Major (V)’]
3. “Champagne Supernova” by Oasis: [‘A Major (I)’, ‘E Major (V)’, ‘F# minor (vi)’, ‘G Major (bVII)’]

Note that the chord progressions listed are not identical to the one in “Lord Only Knows” but share some elements of chromaticism and the use of borrowed chords or feature unexpected harmonic shifts.

Musical Analysis

The chorus begins with a strong V-I cadence (F# Major to B Major), which establishes the tonality of the piece. This cadence reoccurs throughout the progression. The E Major chord (IV) functions as a subdominant chord, preparing the listener for the arrival of the G# Major (VI+) chord, which is borrowed from the B Harmonic minor scale, creating tension.

This tension is resolved with the return to the tonic B Major (I) chord. The progression then moves to G# Major again. The G Major (bVI) chord is a borrowed chord from B minor and adds some chromaticism and surprise factor to the progression. The progression ends with a V-I (F# Major to B Major) cadence, providing a sense of closure.

Overall Analysis

The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

Style Analysis

Beck’s choice of chords and the way he employs borrowed chords and chromaticism reflects his penchant for alternative rock and indie music, infusing traditional rock/folk harmony with his unique and individualistic style. The harmonic choices make the progression memorable and instantly recognizable as a Beck composition.

Chords in the Chorus section of Lord Only Knows by Beck are:

F#, B, F#, B, E, G#, B, G#, G, F#, B