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Related Music Theory Alchemy

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.

“Maxwell’s Silver Hammer,” composed by Paul McCartney, is a pop song that sits in the key of D Major throughout. However, it does borrow chords from the parallel minor. This technique, known as modal interchange or borrowed chords, is common in popular music and especially in classical compositions by iconic bands like The Beatles.

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

Beck – Lord Only Knows – Chorus

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Chord Progression

F#, B, F#, B, E, G#, B, G#, G, F#, B

Chord Progression Analysis

F# Major (V), B Major (I), F# Major (V), B Major (I), E Major (IV), G# Major (VI+), B Major (I), G# Major (VI+), G Major (bVI), F# Major (V), B Major (I)

Borrowed Chord:
`G Major (bVI)`

Similar Chord Progressions

1. “Creep” by Radiohead: [‘G Major (I)’, ‘B Major (III)’, ‘C Major (IV)’, ‘C minor (iv)’]
2. “Blackbird” by The Beatles: [‘G Major (I)’, ‘A minor (ii)’, ‘B flat Major (bIII)’, ‘C Major (IV)’, ‘D Major (V)’]
3. “Champagne Supernova” by Oasis: [‘A Major (I)’, ‘E Major (V)’, ‘F# minor (vi)’, ‘G Major (bVII)’]

Note that the chord progressions listed are not identical to the one in “Lord Only Knows” but share some elements of chromaticism and the use of borrowed chords or feature unexpected harmonic shifts.

Musical Analysis

The chorus begins with a strong V-I cadence (F# Major to B Major), which establishes the tonality of the piece. This cadence reoccurs throughout the progression. The E Major chord (IV) functions as a subdominant chord, preparing the listener for the arrival of the G# Major (VI+) chord, which is borrowed from the B Harmonic minor scale, creating tension.

This tension is resolved with the return to the tonic B Major (I) chord. The progression then moves to G# Major again. The G Major (bVI) chord is a borrowed chord from B minor and adds some chromaticism and surprise factor to the progression. The progression ends with a V-I (F# Major to B Major) cadence, providing a sense of closure.

Overall Analysis

The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

Style Analysis

Beck’s choice of chords and the way he employs borrowed chords and chromaticism reflects his penchant for alternative rock and indie music, infusing traditional rock/folk harmony with his unique and individualistic style. The harmonic choices make the progression memorable and instantly recognizable as a Beck composition.

Chords in the Chorus section of Lord Only Knows by Beck are:

F#, B, F#, B, E, G#, B, G#, G, F#, B