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Related Music Theory Alchemy

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“Undone – The Sweater Song” by Weezer features a chorus with a simple, yet effective chord progression that combines the use of power chords with major chords. This combination gives the song its distinctive indie rock sound and contributes to its overall catchiness. The chorus is based on a four-chord progression with three different chords, where G5 power chord is followed by two major chords, C and D.

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

Beck – Lord Only Knows – Chorus

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Chord Progression

F#, B, F#, B, E, G#, B, G#, G, F#, B

Chord Progression Analysis

F# Major (V), B Major (I), F# Major (V), B Major (I), E Major (IV), G# Major (VI+), B Major (I), G# Major (VI+), G Major (bVI), F# Major (V), B Major (I)

Borrowed Chord:
`G Major (bVI)`

Similar Chord Progressions

1. “Creep” by Radiohead: [‘G Major (I)’, ‘B Major (III)’, ‘C Major (IV)’, ‘C minor (iv)’]
2. “Blackbird” by The Beatles: [‘G Major (I)’, ‘A minor (ii)’, ‘B flat Major (bIII)’, ‘C Major (IV)’, ‘D Major (V)’]
3. “Champagne Supernova” by Oasis: [‘A Major (I)’, ‘E Major (V)’, ‘F# minor (vi)’, ‘G Major (bVII)’]

Note that the chord progressions listed are not identical to the one in “Lord Only Knows” but share some elements of chromaticism and the use of borrowed chords or feature unexpected harmonic shifts.

Musical Analysis

The chorus begins with a strong V-I cadence (F# Major to B Major), which establishes the tonality of the piece. This cadence reoccurs throughout the progression. The E Major chord (IV) functions as a subdominant chord, preparing the listener for the arrival of the G# Major (VI+) chord, which is borrowed from the B Harmonic minor scale, creating tension.

This tension is resolved with the return to the tonic B Major (I) chord. The progression then moves to G# Major again. The G Major (bVI) chord is a borrowed chord from B minor and adds some chromaticism and surprise factor to the progression. The progression ends with a V-I (F# Major to B Major) cadence, providing a sense of closure.

Overall Analysis

The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

Style Analysis

Beck’s choice of chords and the way he employs borrowed chords and chromaticism reflects his penchant for alternative rock and indie music, infusing traditional rock/folk harmony with his unique and individualistic style. The harmonic choices make the progression memorable and instantly recognizable as a Beck composition.

Chords in the Chorus section of Lord Only Knows by Beck are:

F#, B, F#, B, E, G#, B, G#, G, F#, B