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Related Music Theory Alchemy

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

Beck – Heart Is A Drum – Verse 2

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Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C Major (I) – Dm7 (ii7) – C Major (I)

Similar Chord Progressions

1. “Let It Be” by The Beatles: C Major (I) – G Major (V) – A minor (vi) – F Major (IV)
2. “Hallelujah” by Leonard Cohen: C Major (I) – A minor (vi) – F major (IV) – G major (V) – E minor (iii) – A minor (vi)
3. “Imagine” by John Lennon: C Major (I) – F Major (IV) – C Major (I) – F Major (IV) – G major (V) – F Major (IV) – C Major (I) – E Major (‘V/vi’)

While the specific chord progressions above are not identical to that of “Heart Is A Drum,” they share some similarities in their use of simple major and minor harmonies in establishing an emotional connection with the listener.

Musical Analysis

The progression consists of only two chords: C Major (I) and Dm7 (ii7). It begins with a tonic chord (C major) which establishes the home key. This is followed by a Dm7 chord, which is the ii7 chord in the progression, creating a sense of smoothness and warmth compared to a more traditional ii chord (Dm). The progression then returns to the tonic C major, before repeating. This simple, yet effective structure provides the foundation for the emotional landscape present throughout the song.

Overall Analysis

“Heart Is A Drum” by Beck, from the album Morning Phase (2014), features a simple but effective chord progression in the key of C major. This song can be classified as alternative folk rock, and the harmonies used in the chord progression are quite common in this genre, as well as popular music in general. The progression creates a sense of nostalgia and emotional resonance, elevated by Beck’s lyricism and vocal delivery.

Style Analysis

As an alternative folk rock song, “Heart Is A Drum” incorporates elements of both folk and rock styles with its acoustic instrumentation and layered production. The simplicity of the chord progression is reminiscent of traditional folk styles, while the presence of a seventh chord (Dm7) adds an additional layer of harmonic complexity commonly found in popular music.

Chords in the Verse 2 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C