Search

Related Music Theory Alchemy

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Beck – Heart Is A Drum – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C Major (I) – Dm7 (ii7) – C Major (I)

Similar Chord Progressions

1. “Let It Be” by The Beatles: C Major (I) – G Major (V) – A minor (vi) – F Major (IV)
2. “Hallelujah” by Leonard Cohen: C Major (I) – A minor (vi) – F major (IV) – G major (V) – E minor (iii) – A minor (vi)
3. “Imagine” by John Lennon: C Major (I) – F Major (IV) – C Major (I) – F Major (IV) – G major (V) – F Major (IV) – C Major (I) – E Major (‘V/vi’)

While the specific chord progressions above are not identical to that of “Heart Is A Drum,” they share some similarities in their use of simple major and minor harmonies in establishing an emotional connection with the listener.

Musical Analysis

The progression consists of only two chords: C Major (I) and Dm7 (ii7). It begins with a tonic chord (C major) which establishes the home key. This is followed by a Dm7 chord, which is the ii7 chord in the progression, creating a sense of smoothness and warmth compared to a more traditional ii chord (Dm). The progression then returns to the tonic C major, before repeating. This simple, yet effective structure provides the foundation for the emotional landscape present throughout the song.

Overall Analysis

“Heart Is A Drum” by Beck, from the album Morning Phase (2014), features a simple but effective chord progression in the key of C major. This song can be classified as alternative folk rock, and the harmonies used in the chord progression are quite common in this genre, as well as popular music in general. The progression creates a sense of nostalgia and emotional resonance, elevated by Beck’s lyricism and vocal delivery.

Style Analysis

As an alternative folk rock song, “Heart Is A Drum” incorporates elements of both folk and rock styles with its acoustic instrumentation and layered production. The simplicity of the chord progression is reminiscent of traditional folk styles, while the presence of a seventh chord (Dm7) adds an additional layer of harmonic complexity commonly found in popular music.

Chords in the Verse 2 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C