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“Heart Is A Drum” by Beck is a song with a somewhat unconventional chord progression in the hook that features major and minor chords, as well as a borrowed minor chord. It has a melancholic and introspective feeling to it. The style can be associated with the indie folk-pop genre.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

Beck – Heart Is A Drum – Outro

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Chord Progression

Eb6sus2, Dm7, C, Eb6sus2, Dm7, C, Eb6sus2, Dm7, C, Dm7, G

Chord Progression Analysis

`E♭6sus2 (bVI6sus2) | Dm7 (v7) | C (IV) | E♭6sus2 (bVI6sus2) | Dm7 (v7) | C (IV) | E♭6sus2 (bVI6sus2) | Dm7 (v7) | C (IV) | Dm7 (v7) | G (V)`

Borrowed Chord:
`E♭6sus2 (bVI6sus2)`

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”: `Cm (i) | E♭ (III) | G (V) | Am7 (iv7)`
2. Sufjan Stevens – “Casimir Pulaski Day”: `G (I) | E♭ (bVI) | Cm (iv) | G (I)`
3. The Beatles – “While My Guitar Gently Weeps”: `Am (i) | A (I) | C#m (iii) | C#m7 (iii7) | F#m (vi) | G (VII) | E (III)`

Note that these chord progressions may not have the same exact flow and structure as “Heart Is A Drum,” but they share a similar use of borrowed chords, mixture of major and minor chords, and emotional depth.

Musical Analysis

The outro of “Heart Is A Drum” starts with the borrowed chord E♭6sus2, which creates a sense of tension and emotional depth. This chord is followed by Dm7 and C major chords, which give a sense of familiarity within the context of the key. The sequence E♭6sus2 – Dm7 – C is repeated three times, contributing to a cyclical, contemplative atmosphere. The section concludes with a Dm7 to G major, which provides a final sense of tension before resolving back to the overall key of the song.

Overall Analysis

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

Style Analysis

Beck’s “Heart Is A Drum” is characterized by its introspective, contemplative mood. The featured non-diatonic chord progression, combined with the use of a borrowed chord, showcases Beck’s ability to evoke complex emotions through his music. The presence of major, minor, and suspended chords, along with the repetition of the main chord progression, creates a sense of unresolved tension and longing that is fitting for an outro section.

Chords in the Outro section of Heart Is A Drum by Beck are:

Eb6sus2, Dm7, C, Eb6sus2, Dm7, C, Eb6sus2, Dm7, C, Dm7, G