The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.
The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.
The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.
“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.
The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.
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