The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.
“Glory Box” by Portishead is a Trip Hop masterpiece which blends elements of blues, rock, soul, and electronic music together in an innovative and influential way. The song’s chord progression, as illustrated by the verse, is D minor, D minor with C in the bass (notated as Dm/C), B minor 7 flat 5, and B flat major 7. This particular chord progression gives an overall melancholy and haunting feeling throughout the song and sets the tone for the track.
“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.
“Comfortably Numb” by Pink Floyd is a classic progressive rock song from their 1979 concept album “The Wall”. It features unique chord progressions, ambient guitar tones, and an atmospheric vocal performance. This particular verse progression is inspired by the Dorian mode, contributing to its melancholic and introspective atmosphere.
The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.
“Glory Box” by Portishead is a Trip Hop masterpiece which blends elements of blues, rock, soul, and electronic music together in an innovative and influential way. The song’s chord progression, as illustrated by the verse, is D minor, D minor with C in the bass (notated as Dm/C), B minor 7 flat 5, and B flat major 7. This particular chord progression gives an overall melancholy and haunting feeling throughout the song and sets the tone for the track.
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