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Related Music Theory Alchemy

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

“My Name Is Jonas” by Weezer is an alternative rock song with a memorable guitar riff and chord progression. The song features a dynamic structure with a mix of different sections, including the refrain, which we will analyze here. Written in the key of G major, the chord progression presents a mixture of chords from both the major and the minor modes, giving it an interesting and varied sound.

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

Weezer – Buddy Holly – Pre-Chorus

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Chord Progression

D, C#m, F#m, D, C#m, F#m, D, Dm

Chord Progression Analysis

D Major (IV), C# Minor (vi), F# Minor (vi), D Major (IV), C# Minor (vi), F# Minor (vi), D Major (IV), D Minor (iv)

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Borrowed Chord: D Minor (iv)
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Similar Chord Progressions

1. Green Day – “When I Come Around”
Chord Progression: G Major (IV), D Minor (vi), C Major (V), E Minor (ii)

2. Blink-182 – “All The Small Things”
Chord Progression: C Major (I), G Major (V), F Major (IV), G Major (V)

Musical Analysis

The pre-chorus begins with a D major chord, creating a sense of tension by moving away from the tonic A major. The subsequent C# minor chord serves as a relative minor of the E major, which is the dominant chord in the key of A major. This builds anticipation for a resolution back to the tonic that is eventually satisfied by the repeated use of F# minor chords. The progression ends with a return to the D major chord, followed by the borrowed D minor chord, which adds an unexpected and intriguing twist that increases the catchiness and memorability of the song.

Overall Analysis

This pre-chorus from Weezer’s “Buddy Holly” features an eight-chord progression in the key of A major. It includes a borrowed chord (Dm) from the parallel minor key (A minor). The harmonic movement consists of alternating D major and C# minor chords, followed by F# minor chords, before returning to the D major root and finally resolving with the borrowed Dm chord. This progression contributes to the energetic, catchy, and upbeat style of the song.

Style Analysis

Weezer’s “Buddy Holly” falls within the genre of alternative rock – specifically, power-pop. The energetic and upbeat chord progression is characteristic of this style, along with the use of electric guitar-driven riffs and catchy hooks. The harmony employs simple diatonic chords and includes a borrowed chord (Dm) to add some variation and maintain listener interest, which is another hallmark of power-pop music.

Chords in the Pre-chorus section of Buddy Holly by Weezer are:

D, C#m, F#m, D, C#m, F#m, D, Dm