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The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

The chord progression in the outro of MGMT’s “Weekend Wars” is a fairly simple one in terms of harmony, but it showcases some interesting movements between the chords. The progression has a major feeling and centers around the C major key. It sees a modulation to the key of F major during the Bb/F and Bb chords, and then returns to its original key. There are no borrowed chords present in this particular progression.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

MGMT – Congratulations – Verse 3

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Chord Progression

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4

Chord Progression Analysis

G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/♭7) – Am (ii) – Asus2 (ii(add9)) – Am (ii) – G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/♭7) – Am (ii) – Asus2 (ii(add9)) – Am (ii) – G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – D (V) – Dsus4 (Vsus4)

“` Borrowed Chord: Dsus4 (Vsus4) “`

Similar Chord Progressions

1. Fleetwood Mac – “Landslide”:
C (I) – G/B (V/♭7) – Am7 (vi7) – G (V) – D/F# (♯IV/♯3) – D7/F# (♯IV7/♯3) – G (I) – D/E (♯IV/2)

2. Radiohead – “No Surprises”:
F (I) – Em7 (iii7) – A (V) – A/B (V/♭7) – F (I) – G (II) – Am (iii) – G (II)

3. The Beatles – “While My Guitar Gently Weeps”:
Am (i) – Am/G# (i/♯7) – Am/G (i/♭7) – Am/F# (i6) – Am/F (i/♭6) – Am/E (i/5) – D (IV) – G (VII) – E (V)

Musical Analysis

The chord progression in “Congratulations” primarily consists of diatonic chords (G, Em, C, Am, and D), which indicate that the song is in the key of G major. In addition to these diatonic chords, there are several inversions in the progression that give the song a smooth and natural flow. These inversions occur with G/F# (I/♯7) and C/B (IV/♭7). Additionally, MGMT employs extended chords such as Em7 (vi7) and Asus2 (ii(add9)) to add more depth to the harmonic palette.

Moreover, the use of the borrowed chord Dsus4 (Vsus4) adds a sense of tension and release, as the suspended chord resolves to the tonic, G (I).

Overall Analysis

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

Style Analysis

The chord progression in “Congratulations” can be seen as characteristic of MGMT’s style. The band is known for their eclectic blend of pop, psychedelic rock, and electronic music. This can be observed in the innovative harmonic structure and use of borrowed chords, inversions, and extended chords, all common traits in the styles mentioned above.

Chords in the Verse 3 section of Congratulations by MGMT are:

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4