Search

Related Music Theory Alchemy

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

The chord progression in the refrain of MGMT’s “Weekend Wars” is an intriguing combination of diatonic and borrowed chords. It primarily features chords from the key of A minor and C major, with some noticeable out-of-key chords that add color and tension to the progression.

“House of the Rising Sun” by The Animals is a well-known folk song that has been adapted into a blues ballad with a haunting quality. The verse chord progression features a combination of minor and major chords that contribute to its emotional intensity, while also creating a sense of tension and resolution.

Prince’s “Purple Rain” is a classic power ballad, rooted deeply in pop and rock genres. The chord progressions, with particular emphasis on the one given in Verse 3, underlines Prince’s lyricism and craft, showcasing his unique ability to blend seemingly simple chord progressions to evoke emotional and profound moods. The key of the song is G major.

**

“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

**

MGMT – Congratulations – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4

Chord Progression Analysis

G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/♭7) – Am (ii) – Asus2 (ii(add9)) – Am (ii) – G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/♭7) – Am (ii) – Asus2 (ii(add9)) – Am (ii) – G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – D (V) – Dsus4 (Vsus4)

“` Borrowed Chord: Dsus4 (Vsus4) “`

Similar Chord Progressions

1. Fleetwood Mac – “Landslide”:
C (I) – G/B (V/♭7) – Am7 (vi7) – G (V) – D/F# (♯IV/♯3) – D7/F# (♯IV7/♯3) – G (I) – D/E (♯IV/2)

2. Radiohead – “No Surprises”:
F (I) – Em7 (iii7) – A (V) – A/B (V/♭7) – F (I) – G (II) – Am (iii) – G (II)

3. The Beatles – “While My Guitar Gently Weeps”:
Am (i) – Am/G# (i/♯7) – Am/G (i/♭7) – Am/F# (i6) – Am/F (i/♭6) – Am/E (i/5) – D (IV) – G (VII) – E (V)

Musical Analysis

The chord progression in “Congratulations” primarily consists of diatonic chords (G, Em, C, Am, and D), which indicate that the song is in the key of G major. In addition to these diatonic chords, there are several inversions in the progression that give the song a smooth and natural flow. These inversions occur with G/F# (I/♯7) and C/B (IV/♭7). Additionally, MGMT employs extended chords such as Em7 (vi7) and Asus2 (ii(add9)) to add more depth to the harmonic palette.

Moreover, the use of the borrowed chord Dsus4 (Vsus4) adds a sense of tension and release, as the suspended chord resolves to the tonic, G (I).

Overall Analysis

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

Style Analysis

The chord progression in “Congratulations” can be seen as characteristic of MGMT’s style. The band is known for their eclectic blend of pop, psychedelic rock, and electronic music. This can be observed in the innovative harmonic structure and use of borrowed chords, inversions, and extended chords, all common traits in the styles mentioned above.

Chords in the Verse 3 section of Congratulations by MGMT are:

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4