Search

Related Music Theory Alchemy

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

Weezer – The Good Life – Outro

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Em, Am, D

Chord Progression Analysis

E minor (i) – A minor (iv) – D major (VII)

“`Borrowed Chord: None. All chords belong to the E natural minor scale.“`

Similar Chord Progressions

1. Radiohead – “Karma Police” (Outro)
A minor (i) – E minor (v) – D major (VII)

2. Nirvana – “Come As You Are” (Verse)
E minor (i) – G major (III) – D major (VII) – A major (VI)

3. Smashing Pumpkins – 1979 (Outro)
E minor (i) – D major (VII) – G major (III) – A major (VI)

In conclusion, the chord progression in the outro of Weezer’s “The Good Life” is simple yet evocative, and it’s characteristic of the alternative rock and power-pop musical styles of the 1990s. The progression, alongside similar ones from other music artists of the time, showcases specific stylistic qualities and reflects the introspective nature of the genre.

Musical Analysis

The chord progression in the outro of “The Good Life” by Weezer features movement by 4ths and 5ths, which is a common harmonic device in Western music. The progression starts on the tonic chord (Em) and then moves to the subdominant chord (Am) before reaching the subtonic chord (D major). This progression creates a reflective and melancholic atmosphere that is characteristic of alternative rock and power-pop music of the 90s.

Overall Analysis

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

Style Analysis

Weezer’s “The Good Life” is a prime example of mid-90s alternative rock and power-pop. The chord progression and overall harmonic texture contribute to the song’s introspective and emotional feel. This is quite characteristic of Weezer’s songwriting during this period, especially on their 1996 album “Pinkerton,” from which “The Good Life” was released as a single.

Chords in the Outro section of The Good Life by Weezer are:

Em, Am, D