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Related Music Theory Alchemy

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

The chord progression in Beck’s “Morning” is a 9-chord progression in the key of A major. This chord progression employs borrowed chords and has a unique structure that includes secondary dominant chords and mediant substitutions. The chords are mostly major with a mix of some minor chords.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

** The Beatles are well known for their creative and unusual use of chords and harmonies. In “Lucy in The Sky With Diamonds”, there is a clear example of their innovative harmonic vocabulary. They employ a variety of common, borrowed, and chromatic mediant chords to create a remarkable soundscape that complements the psychedelic theme of the song.

**

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

Beck – Heart Is A Drum – Verse 2

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Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C Major (I) – Dm7 (ii7) – C Major (I)

Similar Chord Progressions

1. “Let It Be” by The Beatles: C Major (I) – G Major (V) – A minor (vi) – F Major (IV)
2. “Hallelujah” by Leonard Cohen: C Major (I) – A minor (vi) – F major (IV) – G major (V) – E minor (iii) – A minor (vi)
3. “Imagine” by John Lennon: C Major (I) – F Major (IV) – C Major (I) – F Major (IV) – G major (V) – F Major (IV) – C Major (I) – E Major (‘V/vi’)

While the specific chord progressions above are not identical to that of “Heart Is A Drum,” they share some similarities in their use of simple major and minor harmonies in establishing an emotional connection with the listener.

Musical Analysis

The progression consists of only two chords: C Major (I) and Dm7 (ii7). It begins with a tonic chord (C major) which establishes the home key. This is followed by a Dm7 chord, which is the ii7 chord in the progression, creating a sense of smoothness and warmth compared to a more traditional ii chord (Dm). The progression then returns to the tonic C major, before repeating. This simple, yet effective structure provides the foundation for the emotional landscape present throughout the song.

Overall Analysis

“Heart Is A Drum” by Beck, from the album Morning Phase (2014), features a simple but effective chord progression in the key of C major. This song can be classified as alternative folk rock, and the harmonies used in the chord progression are quite common in this genre, as well as popular music in general. The progression creates a sense of nostalgia and emotional resonance, elevated by Beck’s lyricism and vocal delivery.

Style Analysis

As an alternative folk rock song, “Heart Is A Drum” incorporates elements of both folk and rock styles with its acoustic instrumentation and layered production. The simplicity of the chord progression is reminiscent of traditional folk styles, while the presence of a seventh chord (Dm7) adds an additional layer of harmonic complexity commonly found in popular music.

Chords in the Verse 2 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C