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Related Music Theory Alchemy

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

The chord progression in the verse of “Help!” by The Beatles is quite characteristic of their style, using common chords but in interesting and unusual ways. The verse of “Help!” notably presents a mix of classic pop chord progression (I-vi-ii-V), secondary dominant chords and chromatic progressions. The Beatles often incorporated novel harmonic structures that added depth and complexity to their pop music, as evidenced in this piece.

“Hoppipolla” by Sigur Rós is a dreamy and atmospheric piece that showcases the band’s unique style. The chord progression in the verse consists of D#m, E, D#m, and E chords, which creates a simple and elegant harmonic structure. The use of open strings and melodically moving chords in this progression reflects the ethereal nature of this piece. This progression can be found in both rock and alternative music genres, as it uses the powerful major and minor chords found throughout these styles. The repetitive nature of the chord progression mirrors the band’s tendency to use slow-building and evolving textures in their compositions.

Beck – Ramona – Verse

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Chord Progression

G, Bm, E, Am, C/G, Eb/Bb, Bb, Dm, G, G, Bm, E, Am, C/G, Eb/Bb, Bb, Dm, G

Chord Progression Analysis

G (I), Bm (iii), E (VI), Am (ii), C/G (IV6), Eb/Bb (bVI6/5), Bb (bIII), Dm (v), G (I), G (I), Bm (iii), E (VI), Am (ii), C/G (IV6), Eb/Bb (bVI6/5), Bb (bIII), Dm (v), G (I)

Borrowed Chord:
`Eb/Bb (bVI6/5)`

Similar Chord Progressions

1. Radiohead – “Karma Police” – [‘Am’, ‘Dm’, ‘Em’, ‘G’, ‘Am’, ‘C/G’, ‘D/F#’, ‘B7’, ‘F#m7’, ‘E’]

Am (i), Dm (iv), Em (v), G (VII), Am (i), C/G (III6), D/F# (IV6/4), B7 (II7), F#m7 (vi7), E (V)

2. The Beatles – “Something” – [‘C’, ‘Cmaj7’, ‘C7’, ‘F’, ‘D7’, ‘G’, ‘Am’, ‘Am(maj7)’, ‘Am7’, ‘Am6’]

C (I), Cmaj7 (Imaj7), C7 (I7), F (IV), D7 (II7), G (V), Am (vi), Am(maj7) (vi(maj7)), Am7 (vi7), Am6 (vi6)

3. The Beach Boys – “God Only Knows” – [‘A’, ‘Bm’, ‘C#m’, ‘Bm’, ‘E’, ‘E6’, ‘D6’, ‘F#m’, ‘G’, ‘G#’, ‘E/G#’]

A (I), Bm (ii), C#m (iii), Bm (ii), E (V), E6 (V6), D6 (IV6), F#m (vi), G (bVII), G# (VII), E/G# (V6/5)

These similar chord progressions encompass various techniques and harmonic choices, such as borrowed chords, modal interchange, and voice-leading that are found in Beck’s “Ramona” progression.

Musical Analysis

This progression begins with a I-iii-VI transition, introducing a common-tone borrowing in the VI chord (E), which is typically Em in the key of G major. Following this, a ii-IV6 progression occurs before moving into another surprise with the borrowed bVI6/5 chord, which adds an Eb element from outside the key of G major. The piece then moves to a bIII chord before resolving to a v chord. The progression then loops back to G major, solidifying the tonal center.

Overall Analysis

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

Style Analysis

This chord progression showcases Beck’s unique blend of traditional and experimental compositional techniques. It starts out fairly conventional, with diatonic chords and voice-leading between upper structure triads. However, the introduction of borrowed chords and unexpected harmonies takes the listener on a more adventurous journey, highlighting Beck’s creative approach to songwriting.

Chords in the Verse section of Ramona by Beck are:

G, Bm, E, Am, C/G, Eb/Bb, Bb, Dm, G, G, Bm, E, Am, C/G, Eb/Bb, Bb, Dm, G