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Related Music Theory Alchemy

The outro of George Benson’s “Give Me The Night” features a smooth, soulful chord progression that is common to jazz, R&B, and pop music. The progression has a descending movement with alternating minor 7th and major 7th chords. This repetition creates a sense of ambience and resolution, making it an ideal conclusion to the song.

The chord progression in the chorus of “Give Me The Night” by George Benson demonstrates the use of extended and borrowed chords. The progression consists of a mix of diatonic chords and chords borrowed from the parallel minor, which is a characteristic of jazz and R&B music. The use of the Db/Eb also adds a layer of harmonic ambiguity that creates tension, enriching the overall sound of the piece.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

George Benson – Give Me The Night – Verse 1

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Chord Progression

Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7

Chord Progression Analysis

(Db Major Scale: Db – Eb – F – Gb – Ab – Bb – C – Db)

Dbmaj7 (Imaj7), Fm7 (iiim7), Bbm7 (vim7), Cm7 (bVIIm7 – borrowed from Db parallel minor), Dbmaj7 (Imaj7), Fm7 (iiim7), Bbm7 (vim7), Cm7 (bVIIm7 – borrowed from Db parallel minor), Dbmaj7 (Imaj7), Dbmaj7 (Imaj7), Fm7 (iiim7), Bbm7 (vim7), Cm7 (bVIIm7 – borrowed from Db parallel minor), Dbmaj7 (Imaj7), Fm7 (iiim7), Bbm7 (vim7), Cm7 (bVIIm7 – borrowed from Db parallel minor), Dbmaj7 (Imaj7)

“`Cm7 (bVIIm7 – borrowed from Db parallel minor)“`

Similar Chord Progressions

1. Stevie Wonder – “Knocks Me Off My Feet”:
Dmaj7 (Imaj7), F#m7 (iiim7), Bm7 (vim7), Em9 (IIm9), A9 (V9)

2. Earth, Wind & Fire – “September”:
Abmaj7 (Imaj7), Cm7 (iiim7), Fm7 (vim7), Gm7 (bVIIm7 – borrowed from Ab parallel minor), Abmaj7 (Imaj7)

Though these songs have different keys, each displays the use of diatonic major 7th, minor 7th, and borrowed chords within their progressions, showcasing elements of jazz, R&B, and funk.

Musical Analysis

The verse chord progression primarily consists of diatonic chords Imaj7, iiim7, and vim7. The progression starts with a tonic Dbmaj7 chord before moving to Fm7 (the mediant chord), and to Bbm7 (the submediant chord), implying a smooth harmonic motion. However, the appearance of the borrowed Cm7 chord, which is sourced from the parallel minor (Db minor), adds harmonic interest and tension before being restored to the tonic chord.

Overall Analysis

“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

Style Analysis

George Benson’s “Give Me The Night” exhibits typical features of jazz, R&B, and funk music genres. The use of extended chords like major and minor 7ths, along with the inclusion of a borrowed chord, implies rich harmonic texture, similar to typical jazz and R&B songs from the late 1970s and early 1980s. The syncopated rhythm and catchy instrumental hook additionally lends itself to aspects of funk.

Chords in the Verse 1 section of Give Me The Night by George Benson are:

Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7, Fm7, Bbm7, Cm7, Dbmaj7