Music Theory Alchemy

Search

Related Music Theory Alchemy

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

“Start Me Up” by The Rolling Stones is structured in a key of D Major, and the song largely follows a I-IV-V chord progression, which is a staple in many genres, especially in blues and rock music. The progression is known for its simple, catchy, and resolved sounds.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

**

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

Pink Floyd – Wish You Were Here – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

“`
1. C Major (I)
2. D Major with F# in the bass (V/V)
3. A Minor with E in the bass (vi)
4. G Major (V)
5. D Major with F# in the bass (V/V)
6. C Major (I)
7. A Minor (vi)
8. G Major (V)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be” [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]
“`
1. C Major (I)
2. G Major (V)
3. A Minor (vi)
4. F Major (IV)
5. C Major (I)
6. G Major (V)
7. F Major (IV)
8. C Major (I)
“`

2. Oasis – “Wonderwall” [‘Em’, ‘G’, ‘Dsus4’, ‘A7sus4’, ‘Em’, ‘G’, ‘Dsus4’, ‘A7sus4’]
“`
1. E Minor (ii)
2. G Major (IV)
3. Dsus4 (I with a suspended 4th)
4. A7sus4 (V with a suspended 4th)
5. E Minor (ii)
6. G Major (IV)
7. Dsus4 (I with a suspended 4th)
8. A7sus4 (V with a suspended 4th)
“`

Both song examples share similarities with “Wish You Were Here” in terms of their seamless chord transitions and structure. While they don’t share the exact same progression, the mixture of borrowed chords and diatonic chords give a similar effect for building tension and emotion.

Musical Analysis

The chord progression begins with the C Major (I) which establishes the tonal center. The second chord, D Major with F# in the bass (V/V), functions as a secondary dominant, temporarily placing emphasis on the G Major chord that follows.

The third chord, A Minor with E in the bass (vi), serves as a diatonic pivot chord, connecting to the following G Major (V) whichis a strong resolution. The progression then repeats the sequence of D Major with F# in the bass (V/V) to C Major (I), which adds cohesion and builds tension before resolving back to A Minor (vi) and finally G Major (V), creating a strong conclusion with an authentic cadence.

Overall Analysis

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

Style Analysis

Pink Floyd’s “Wish You Were Here” is a classic example of progressive rock, incorporating elements of blues, folk, and psychedelic music. The chord progression demonstrates their preference for smooth chord shifts and modal interchange, which ultimately contribute to the song’s timeless, poignant character.

Chords in the Verse 3 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G