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Related Music Theory Alchemy

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

Pink Floyd – Us And Them – Verse

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Chord Progression

Dsus2, Esus2/D, Faug/D, G/D, Dsus2, Esus2/D, Faug/D, G/D

Chord Progression Analysis

Here are the full chord names and their Roman numerals:

Dadd9 (I) – Esus2/D (‘II’) – D+6 (I+6) – G/D (IV) – Dadd9 (I) – Esus2/D (‘II’) – D+6 (I+6) – G/D (IV)

Similar Chord Progressions

It’s challenging to find chord progressions that are very similar to “Us and Them” because of its uniqueness. However, here is an example of a slightly similar chord progression, which also makes use of non-diatonic chords and slash chords:

“Everybody Wants to Rule the World” by Tears for Fears:

Dsus2 (I) – G/D (IV) – A7sus4 (V7sus4) – G/D (IV) – Dsus2 (I)

In this progression, we can observe a focus on extended and suspended chords that provide a floating feel like the one found in “Us and Them.” While the progressions aren’t exactly the same, they share a common approach to creating a lush harmonic landscape.

Musical Analysis

The chords in the progression are predominantly from D Mixolydian mode, which is the fifth mode of G Major. The main deviation from the D Mixolydian mode is the Esus2/D chord, making it a borrowed chord. The chord progression starts with the Dadd9, a sus2 chord, establishing the tonality in D. It then moves to Esus2/D, a non-diatonic chord, which adds an unexpected touch to the progression. Following this, we have the Faug/D (D+6) chord, an augmented chord that creates tension that resolves when it moves to G/D, a standard IV chord in D Mixolydian mode.

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Borrowed Chords: Esus2/D
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Overall Analysis

The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.

Style Analysis

The chord progression in “Us and Them” exhibits Pink Floyd’s signature style, often characterized by their use of non-diatonic and extended chords, which create a sense of spaciousness and ethereal soundscapes. The use of the D note in the bass throughout the progression adds a pedal point that gives the progression a sense of stability, despite the non-diatonic chords and the tension created by the augmented chord. The sus2 chords further contribute to the atmospheric quality of the music.

Chords in the Verse section of Us And Them by Pink Floyd are:

Dsus2, Esus2/D, Faug/D, G/D, Dsus2, Esus2/D, Faug/D, G/D