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Related Music Theory Alchemy

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

“A Hard Day’s Night” by The Beatles, despite seeming to have a simple structure, is quite unique in its musical composition. The progression varies from standard rock, pop, and folk structure by integrating unique transitions and slightly unconventional chord choices.

Verse

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

Pink Floyd – Us And Them – Verse

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Chord Progression

Dsus2, Esus2/D, Faug/D, G/D, Dsus2, Esus2/D, Faug/D, G/D

Chord Progression Analysis

Here are the full chord names and their Roman numerals:

Dadd9 (I) – Esus2/D (‘II’) – D+6 (I+6) – G/D (IV) – Dadd9 (I) – Esus2/D (‘II’) – D+6 (I+6) – G/D (IV)

Similar Chord Progressions

It’s challenging to find chord progressions that are very similar to “Us and Them” because of its uniqueness. However, here is an example of a slightly similar chord progression, which also makes use of non-diatonic chords and slash chords:

“Everybody Wants to Rule the World” by Tears for Fears:

Dsus2 (I) – G/D (IV) – A7sus4 (V7sus4) – G/D (IV) – Dsus2 (I)

In this progression, we can observe a focus on extended and suspended chords that provide a floating feel like the one found in “Us and Them.” While the progressions aren’t exactly the same, they share a common approach to creating a lush harmonic landscape.

Musical Analysis

The chords in the progression are predominantly from D Mixolydian mode, which is the fifth mode of G Major. The main deviation from the D Mixolydian mode is the Esus2/D chord, making it a borrowed chord. The chord progression starts with the Dadd9, a sus2 chord, establishing the tonality in D. It then moves to Esus2/D, a non-diatonic chord, which adds an unexpected touch to the progression. Following this, we have the Faug/D (D+6) chord, an augmented chord that creates tension that resolves when it moves to G/D, a standard IV chord in D Mixolydian mode.

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Borrowed Chords: Esus2/D
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Overall Analysis

The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.

Style Analysis

The chord progression in “Us and Them” exhibits Pink Floyd’s signature style, often characterized by their use of non-diatonic and extended chords, which create a sense of spaciousness and ethereal soundscapes. The use of the D note in the bass throughout the progression adds a pedal point that gives the progression a sense of stability, despite the non-diatonic chords and the tension created by the augmented chord. The sus2 chords further contribute to the atmospheric quality of the music.

Chords in the Verse section of Us And Them by Pink Floyd are:

Dsus2, Esus2/D, Faug/D, G/D, Dsus2, Esus2/D, Faug/D, G/D