Search

Related Music Theory Alchemy

The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

Pink Floyd – Comfortably Numb – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Bsus2, Bm, A, G, Em, Bm, Bsus2, Bm, A, G, Em, Bm

Chord Progression Analysis

| Bsus2 (IVsus2) | Bm (iv) | A (‘V) | G (IV) |
| Em (ii) | Bm (iv) | Bsus2 (IVsus2) | Bm (iv) |
| A (‘V) | G (IV) | Em (ii) | Bm (iv) |

The chord progression features both borrowed chords and substitutions. Specifically, Bsus2 (the suspended chord) is an embellishment of the Bm which is borrowed from the parallel key (D minor). The borrowed chords are as follows:

“`
Bm (iv)
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”: [‘C (I)’, ‘G (V)’, ‘Am (vi)’, ‘F (IV)’, ‘C (I)’, ‘G (V)’, ‘F (IV)’, ‘C (I)’]
2. Radiohead – “Karma Police”: [‘Am (i)’, ‘Em (v)’, ‘G (III)’, ‘Am (i)’, ‘F (VI)’, ‘G (VII)’, ‘Am (i)’, ‘Em (v)’]

While these chord progressions are not exactly the same, they share similarities in terms of blending major and minor chords to create a sense of melancholy, as seen in “Comfortably Numb”.

Musical Analysis

The progression begins with Bsus2, which then resolves down to the Bm chord. This creates an initial sense of tension and release, effectively introducing the melancholy tone of the verse. Then, the progression moves to A, the dominant chord. This progression from Bm to A helps connect the listener to the home key, D major.

Following this, there is a change from the major tonality to a more minor feel with the progression of G to Em. This shift contributes to the melancholic atmosphere, emphasizing a feeling of longing or nostalgia. The progression then moves back to Bm, creating a loop that maintains the overall tone of the song while also giving it a sense of continuity and structure.

Overall Analysis

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

Style Analysis

Pink Floyd’s “Comfortably Numb” is heavily influenced by progressive rock and concept album styles, which are marked by experimental and innovative uses of harmony, structure, and instrumentation. The unique chord progression in the second verse of the song, characterized by its blend of major and minor chords and the inclusion of the borrowed Bm chord, is an example of Pink Floyd’s unique approach to harmony, which sets them apart from other artists.

Chords in the Verse 2 section of Comfortably Numb by Pink Floyd are:

Bsus2, Bm, A, G, Em, Bm, Bsus2, Bm, A, G, Em, Bm