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Related Music Theory Alchemy

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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

“Wonderwall” by Oasis is a rock song with folk roots and a melodic pop influence. It uses the alternative rock idiom of harmony, which bestows the song with a sound leaning towards traditional folk and classic pop. The band utilizes common vintage chords mixed with modern progressions to create that identifiable Oasis sound.

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

Muse – Megalomania – Chorus

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Chord Progression

C, D, G, B7, C, B7, Am, B7

Chord Progression Analysis

C Major (I) – D Major (V/V) – G Major (IV) – B7 (V7/vi) – C Major (I) – B7 (V7/vi) – A minor (vi) – B7 (V7/vi)

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C Major is the borrowed chord from the parallel minor.
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Similar Chord Progressions

1. Radiohead – Paranoid Android
Chord Progression: Gm9 (i) – Ebmaj7 (VI) – D7 (V7/IV) – G (bIII) – Gm (i) – A7 (V7/III) – D (bVII) – A7 (V7/III)
(Note that these chords are in G minor, not C major)

2. Queen – Bohemian Rhapsody
Chord Progression: Bb (I) – G7 (V7/IV) – Cm7 (iv7) – F7 (V7) – Bb (I) – Bb7 (V7/IV) – Eb (IV) – Bb/Db (IV+) – Cm (ii)

These examples are only partial progressions from the respective songs, and not entire choruses. However, they do share similarities with the progression found in Muse’s “Megalomania,” particularly in their use of tension-building dominant chords and unconventional harmonic choices.

Musical Analysis

The chorus begins with the I chord, C Major, establishing tonality. Then it moves to the secondary dominant chord D Major, which functions as V/V (dominant of the dominant). This creates a sense of movement as it drives towards the G Major, the IV chord. Following the IV chord, the tension builds further with the V7/vi (B7) chord, giving an expectation that it will resolve to the A minor chord. However, a deceptive resolution to the C Major chord follows.

After returning to the C Major chord, the progression repeats the tension-building V7/vi (B7) chord, and this time resolves it to the A minor chord (vi). Finally, to round off the progression and lead it back to the beginning or to the next part of the song, the V7/vi (B7) chord is used again.

Overall Analysis

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

Style Analysis

Megalomania exhibits traits of progressive rock and alternative rock, with its use of complex, unconventional chord progressions and a blend of major and minor tonality. The use of a dominant 7th chord to create tension and the incorporation of borrowed chords contribute to the distinctive and emotionally evocative sound of Muse’s music.

Chords in the Chorus section of Megalomania by Muse are:

C, D, G, B7, C, B7, Am, B7