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The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

Muse – Megalomania – Chorus

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Chord Progression

C, D, G, B7, C, B7, Am, B7

Chord Progression Analysis

C Major (I) – D Major (V/V) – G Major (IV) – B7 (V7/vi) – C Major (I) – B7 (V7/vi) – A minor (vi) – B7 (V7/vi)

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C Major is the borrowed chord from the parallel minor.
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Similar Chord Progressions

1. Radiohead – Paranoid Android
Chord Progression: Gm9 (i) – Ebmaj7 (VI) – D7 (V7/IV) – G (bIII) – Gm (i) – A7 (V7/III) – D (bVII) – A7 (V7/III)
(Note that these chords are in G minor, not C major)

2. Queen – Bohemian Rhapsody
Chord Progression: Bb (I) – G7 (V7/IV) – Cm7 (iv7) – F7 (V7) – Bb (I) – Bb7 (V7/IV) – Eb (IV) – Bb/Db (IV+) – Cm (ii)

These examples are only partial progressions from the respective songs, and not entire choruses. However, they do share similarities with the progression found in Muse’s “Megalomania,” particularly in their use of tension-building dominant chords and unconventional harmonic choices.

Musical Analysis

The chorus begins with the I chord, C Major, establishing tonality. Then it moves to the secondary dominant chord D Major, which functions as V/V (dominant of the dominant). This creates a sense of movement as it drives towards the G Major, the IV chord. Following the IV chord, the tension builds further with the V7/vi (B7) chord, giving an expectation that it will resolve to the A minor chord. However, a deceptive resolution to the C Major chord follows.

After returning to the C Major chord, the progression repeats the tension-building V7/vi (B7) chord, and this time resolves it to the A minor chord (vi). Finally, to round off the progression and lead it back to the beginning or to the next part of the song, the V7/vi (B7) chord is used again.

Overall Analysis

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

Style Analysis

Megalomania exhibits traits of progressive rock and alternative rock, with its use of complex, unconventional chord progressions and a blend of major and minor tonality. The use of a dominant 7th chord to create tension and the incorporation of borrowed chords contribute to the distinctive and emotionally evocative sound of Muse’s music.

Chords in the Chorus section of Megalomania by Muse are:

C, D, G, B7, C, B7, Am, B7