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Related Music Theory Alchemy

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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“After You’ve Gone” is a jazz standard composed by Django Reinhardt. The verse progression of the song uses a combination of major, minor and dominant chords with some borrowed chords and secondary dominants, which is a hallmark of early jazz and swing music. The harmonic rhythm is mainly at a pace of one or two chords per bar, with occasional faster changes. The piece has a strong sense of tonal center around the key of G major.

Muse – Knights Of Cydonia – Verse

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Chord Progression

G#m, B, E, B, D#, E, G, B, Em, B, C, G, B, C, G, B, Em

Chord Progression Analysis

“`
G#m (i),
B (III),
E (VI),
B (III),
D# (V),
E (VI),
G (bV),
B (III),
Em (v),
B (III),
C (bIV),
G (bV),
B (III),
C (bIV),
G (bV),
B (III),
Em (v)
“`

Borrowed Chords:
“`
G (bV), C (bIV)
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
“`
Am (i),
E (V),
G (bVII),
D (IV),
C (bIII),
E (V),
Bm (v),
F# (V),
Dm (iv))
“`

2. Queen – “Bohemian Rhapsody” (verse)
“`
Bb (I),
Bb7 (V7),
Eb (IV),
Bb7 (V7),
Bbsus2 (Isus2),
Cm (ii),
F (V),
Bb (I),
Dm (iii),
Gm (vi),
C7 (V7),
F7 (IV7),
Bb (I))
“`

These songs also feature complex and unconventional chord progressions, incorporating borrowed chords, key shifts, and chromatic movement. They similarly incorporate elements of progressive rock and symphonic rock in their compositions, drawing parallels to “Knights of Cydonia.”

Musical Analysis

This progression starts in the key of G# minor with G#m (i), followed by B (III) from the same key. The progression then shifts to E major with E (VI). It then returns to B (III), which can also function as the V chord of E major, creating a sense of ambiguity between the two keys.

The next set of chords features a chromatic movement from D# (V) to E (VI) and then down to G (bV), a borrowed chord from the parallel minor key (G# natural minor). The progression then returns to B (III) before temporarily shifting to the key of E minor with Em (v) and B (III).

This is followed by another set of borrowed chords, C (bIV) and G (bV), both from the E natural minor key, adding further tension to the progression. The progression then alternates between B (III) and these borrowed chords before concluding with Em (v).

Overall Analysis

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

Style Analysis

“Knights of Cydonia” showcases Muse’s signature progressive rock and symphonic rock influences, with its dramatic chord progression, large dynamic shifts, and intricate arrangement. The use of modulation and borrowed chords further adds to the epic, cinematic quality of the track, which is a common feature in Muse’s music.

Chords in the Verse section of Knights Of Cydonia by Muse are:

G#m, B, E, B, D#, E, G, B, Em, B, C, G, B, C, G, B, Em