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“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

Muse – Knights Of Cydonia – Verse

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Chord Progression

G#m, B, E, B, D#, E, G, B, Em, B, C, G, B, C, G, B, Em

Chord Progression Analysis

“`
G#m (i),
B (III),
E (VI),
B (III),
D# (V),
E (VI),
G (bV),
B (III),
Em (v),
B (III),
C (bIV),
G (bV),
B (III),
C (bIV),
G (bV),
B (III),
Em (v)
“`

Borrowed Chords:
“`
G (bV), C (bIV)
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
“`
Am (i),
E (V),
G (bVII),
D (IV),
C (bIII),
E (V),
Bm (v),
F# (V),
Dm (iv))
“`

2. Queen – “Bohemian Rhapsody” (verse)
“`
Bb (I),
Bb7 (V7),
Eb (IV),
Bb7 (V7),
Bbsus2 (Isus2),
Cm (ii),
F (V),
Bb (I),
Dm (iii),
Gm (vi),
C7 (V7),
F7 (IV7),
Bb (I))
“`

These songs also feature complex and unconventional chord progressions, incorporating borrowed chords, key shifts, and chromatic movement. They similarly incorporate elements of progressive rock and symphonic rock in their compositions, drawing parallels to “Knights of Cydonia.”

Musical Analysis

This progression starts in the key of G# minor with G#m (i), followed by B (III) from the same key. The progression then shifts to E major with E (VI). It then returns to B (III), which can also function as the V chord of E major, creating a sense of ambiguity between the two keys.

The next set of chords features a chromatic movement from D# (V) to E (VI) and then down to G (bV), a borrowed chord from the parallel minor key (G# natural minor). The progression then returns to B (III) before temporarily shifting to the key of E minor with Em (v) and B (III).

This is followed by another set of borrowed chords, C (bIV) and G (bV), both from the E natural minor key, adding further tension to the progression. The progression then alternates between B (III) and these borrowed chords before concluding with Em (v).

Overall Analysis

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

Style Analysis

“Knights of Cydonia” showcases Muse’s signature progressive rock and symphonic rock influences, with its dramatic chord progression, large dynamic shifts, and intricate arrangement. The use of modulation and borrowed chords further adds to the epic, cinematic quality of the track, which is a common feature in Muse’s music.

Chords in the Verse section of Knights Of Cydonia by Muse are:

G#m, B, E, B, D#, E, G, B, Em, B, C, G, B, C, G, B, Em