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Related Music Theory Alchemy

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

“Yesterday” by The Beatles is a classic Pop song in F Major maintaining a 2/2 time signature. The song changes the chords frequently to create a rich harmonic texture, and is known for its iconic descending guitar melody.

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

Muse – Apocalypse Please – Outro

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Chord Progression

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5

Chord Progression Analysis

C#5 (‘I5’), F#m/C# (‘ii2’), C#5 (‘I5’), F#m (‘ii’), D5 (‘bIV5’), B5 (‘bvi5’), C#5 (‘I5’), F#5 (‘IV5’)

Similar Chord Progressions

1. Radiohead – Karma Police:
Am (‘I’), G (‘bVII’), D (‘IV’), G (‘bVII’), C (‘bIII’), Bm (‘ii’), E (‘V’)

2. The Beatles – Let It Be:
C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’), C (‘I’), G (‘V’), F (‘IV’), C (‘IV’)

3. Red Hot Chili Peppers – Under The Bridge:
Dmaj7 (‘IVmaj7’), F#m7 (‘vi7’), Gmaj7 (‘bVII7’), Am7 (‘i7’)

Note that these chord progressions are not exactly the same but do share similar elements with the progression in Muse’s “Apocalypse Please,” such as the use of power chords, diatonic chords with occasional chromatic movement, and rock/pop influences.

Musical Analysis

The chord progression starts with C#5, a power chord rooted in the home key of C# minor, which then moves to F#m/C#, the iim7 of the key, with the same C# root note. This creates a sense of tension and movement, despite the shared root note. The progression then continues with C#5 and F#m again, maintaining this tension and resolution dynamic.

The next chord, D5, contains a chromatic note (D natural) as it is the flattened 4th scale degree, acting as a bIV5 chord. This creates more tension and a sense of dissonance in the music. Following D5, we have B5, a power chord version of the vi7 chord in C# minor (instead of Bm as it would be borrowed from the parallel major). The chord progression concludes with the familiar C#5 and F#5, making the connection with the previous repetitions and resolving to the IV5 chord to finish.

Overall Analysis

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

Style Analysis

The inclusion of power chords (5 chords) and the driving rhythm make this progression distinctly rock-based. Muse is known for blending rock elements with other genres like classical and pop, and this is evident in the chord progression. The use of mostly diatonic chords with some chromatic movement is a common occurrence in Muse’s music, creating moments of tension and resolution.

Chords in the Outro section of Apocalypse Please by Muse are:

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5