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Related Music Theory Alchemy

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

Muse – Apocalypse Please – Verse 3

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Chord Progression

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

`F#m/C (vi6/4)`, `C# (V)`, `F#m/C# (vi6/5)`, `C# (V)`, `F#m (vi)`, `C# (V)`, `F#m (vi)`, `C# (V)`

Similar Chord Progressions

1. Radiohead – Karma Police: `Am (vi)`, `Em (iii)`, `G (I)`, `Am (vi)`, `G (I)`, `D (IV)`, `C (III)`, `E7 (V7)`
2. Coldplay – Clocks: `Eb (I)`, `Bb (V)`, `Fm7 (vi7)`, `Eb (I)`, `Bb (V)`, `Fm7 (vi7)`, `Eb (I)`, `Bb (V)`

These two examples share some common degree movements with the Muse progression, particularly with the usage of vi – V – vi throughout. Of course, the tone and feel of these songs differ, but the underlying harmonic movement shares some similarities.

Musical Analysis

The chord progression begins with an F#m/C, which serves as a first inversion of the vi chord (since F#m is the vi chord and C is the fourth in F#m), followed by the dominant chord, C# (V). The progression then moves to a F#m/C# – this can be seen as a first inversion (vi6/5) due to the presence of the C# in the bass. The dominant (C#) is revisited before repeating the F#m (vi) – C# (V) pattern twice more.

Throughout the progression, the alternation between F#m and C# adds tension and resolution as the chords oscillate between the submediant and dominant. The use of the different inversions (6/4 and 6/5) adds more depth and variety to the harmonic structure of the piece.

Overall Analysis

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

Style Analysis

Muse’s music often incorporates elements of classical, film score, and electronic music in their compositions. The “Apocalypse Please” chord progression showcases this by melding traditional harmonic patterns with more contemporary elements like the rising and falling motion of the bass. Additionally, the way Muse pairs this with their choice of instrumentation (including synthesizers and other electronic sounds) elements contributes to their unique sound.

Chords in the Verse 3 section of Apocalypse Please by Muse are:

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#