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The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

Muse – Apocalypse Please – Verse 3

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Chord Progression

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

`F#m/C (vi6/4)`, `C# (V)`, `F#m/C# (vi6/5)`, `C# (V)`, `F#m (vi)`, `C# (V)`, `F#m (vi)`, `C# (V)`

Similar Chord Progressions

1. Radiohead – Karma Police: `Am (vi)`, `Em (iii)`, `G (I)`, `Am (vi)`, `G (I)`, `D (IV)`, `C (III)`, `E7 (V7)`
2. Coldplay – Clocks: `Eb (I)`, `Bb (V)`, `Fm7 (vi7)`, `Eb (I)`, `Bb (V)`, `Fm7 (vi7)`, `Eb (I)`, `Bb (V)`

These two examples share some common degree movements with the Muse progression, particularly with the usage of vi – V – vi throughout. Of course, the tone and feel of these songs differ, but the underlying harmonic movement shares some similarities.

Musical Analysis

The chord progression begins with an F#m/C, which serves as a first inversion of the vi chord (since F#m is the vi chord and C is the fourth in F#m), followed by the dominant chord, C# (V). The progression then moves to a F#m/C# – this can be seen as a first inversion (vi6/5) due to the presence of the C# in the bass. The dominant (C#) is revisited before repeating the F#m (vi) – C# (V) pattern twice more.

Throughout the progression, the alternation between F#m and C# adds tension and resolution as the chords oscillate between the submediant and dominant. The use of the different inversions (6/4 and 6/5) adds more depth and variety to the harmonic structure of the piece.

Overall Analysis

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

Style Analysis

Muse’s music often incorporates elements of classical, film score, and electronic music in their compositions. The “Apocalypse Please” chord progression showcases this by melding traditional harmonic patterns with more contemporary elements like the rising and falling motion of the bass. Additionally, the way Muse pairs this with their choice of instrumentation (including synthesizers and other electronic sounds) elements contributes to their unique sound.

Chords in the Verse 3 section of Apocalypse Please by Muse are:

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#