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Related Music Theory Alchemy

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

“In My Head” is a good example of the band’s signature style, combining elements of rock, punk, and alternative music. The usage of primary chords is fairly standard for rock music, but the inclusion of unexpected chords like G5 and D# adds a complex flavor to the progression making it notably unique amongst other songs within the genre.

The song “Viva La Vida” by Coldplay is in the key of G major and follows a fairly simple chord progression in the pop/rock genre. This progression particularly makes use of the I, IV, V, and vi chords in this key, which is a typical pop progression.

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

Muse – Apocalypse Please – Chorus

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Chord Progression

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#

Chord Progression Analysis

F#m (i), D/F# (VI/♭), E/G# (ii), Eaug/G# (ii+), A (III), C# (V/♭), A (III), C# (V/♭)

Similar Chord Progressions

Musical Analysis

This progression starts with the tonic minor chord, F#m, which provides a stable base. The second chord, D/F#, is a borrowed chord from the parallel major key of F# major. This sets up an interesting juxtaposition of the minor and major tonalities. The progression then moves to E/G#, which is the ii chord, followed by Eaug/G# (ii+), creating tension and anticipation.

The next chord, A, serves as the III in the given progression. It acts as a pivot chord in the modulation to the key of A major, the relative major of F# minor. The subsequent C# chord is a V/♭ chord borrowed from A major’s parallel minor key, A minor. The progression then returns to A and C# to reinforce the modulation to A major (by functioning as III and V/♭ once again respectively).

Style Notes:
Muse’s signature style often consists of dramatic chord progressions and bold harmonic shifts, as can be seen in this progression. The mix of diatonic chords and borrowed chords adds to the complexity and richness of the harmonic language. Muse’s inclusion of inversion and an augmented chord also creates an interesting texture and a pull toward resolution, fitting well with the song’s apocalyptic theme.

Overall Analysis

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

Style Analysis

1. Radiohead – “Paranoid Android”
Dm (i), G (IV), C (VII), Bb (♭VI), F/A (III), A7 (V/♭)

2. The Beatles – “Strawberry Fields Forever”
A (i), C#m (iii), F#m (vi), G (VII/♭), D (IV), E (V), A (i)

These songs, just like Muse’s “Apocalypse Please,” feature a blend of diatonic and borrowed chords which create dynamic harmonic movement. They also incorporate modulation, showcasing the artists’ use of complex progressions to elicit emotional and atmospheric responses.

Chords in the Chorus section of Apocalypse Please by Muse are:

F#m, D/F#, E/G#, Eaug/G#, A, C#, A, C#