Music Theory Alchemy

Search

Related Music Theory Alchemy

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

Killer Queen’ is one of Queen’s signature songs, abounding with Freddie Mercury’s flamboyant melodic invention, clever harmonies, and theatrical presentation. Its chorus in particular uses an array of chords to create a sophisticated and fluid progression. Before embarking on a note-by-note analysis, we can note that it principally operates in the key of G Major and involves a number of borrowed and secondary chords that bring intrigue and depth to the progression.

The chord progression in the chorus of “Give Me The Night” by George Benson demonstrates the use of extended and borrowed chords. The progression consists of a mix of diatonic chords and chords borrowed from the parallel minor, which is a characteristic of jazz and R&B music. The use of the Db/Eb also adds a layer of harmonic ambiguity that creates tension, enriching the overall sound of the piece.

This chord progression is from the song, “Good Old-Fashioned Lover Boy” by Queen, which is known for its complex and intricate progressions. The song is set in the key of C major, and it features a mixture of triadic major and minor chords, dominant sevenths and the common use of borrowed and secondary dominant chords to create tension. This creates a lot of harmonic interest.

Jimi Hendrix – Castles Made Of Sand – Chorus 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, D, F, C

Chord Progression Analysis

The given chord progression for Chorus 3 is: G, D, F, C. Here is the chord progression analysis with full chord names, roman numerals, and borrowed chords:

G Major (I) – D Major (V) – F Major (♭VII) – C Major (IV)

“`
F Major is a borrowed chord from the parallel minor key (G minor).
“`

Similar Chord Progressions

There are relatively few songs that have a similar chord progression to “Castles Made of Sand.” Nonetheless, a few examples include:

1. “I Want You (She’s So Heavy)” by The Beatles:
D Major (I) – E Major (II) – C Major (♭VII) – G Major (IV)
2. “Stairway to Heaven” by Led Zeppelin (last part of the song starting from the guitar solo):
A Major (I) – G# Diminished (vii°) – C# Minor (iii) – E Major (V)
3. “Paranoid Android” by Radiohead (during the chorus):
G Major (I) – D Major (V) – E♭ Major (♭VI) – C Major (IV)

These examples, while not exact, share some similarities with “Castles Made of Sand,” such as surprising chord choices, unconventional progressions, and genre-blending styles.

Musical Analysis

The chord progression starts with a strong G Major (I) chord, giving the song a solid tonal center. The next chord, D Major (V), serves as a dominant chord that adds tension and prepares for a resolution. Instead of a traditional V-I resolution, Hendrix introduces an unexpected F Major (♭VII) chord, which is borrowed from the parallel minor key (G minor). This adds an element of surprise and deviates from the standard rock/pop chord progressions.

The F Major to C Major (IV) progression creates an interesting stepwise descending motion, further amplified by the presence of both major chords. The progression finally resolves back to the tonic (G Major) in the next part of the song or section, contributing to the cyclical nature of the song.

Overall Analysis

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique chord progression and distinctive guitar techniques that were ahead of its time. The song was released in 1967 on the album “Axis: Bold as Love” and showcases Hendrix’s innovative approach to guitar playing and songwriting.

Style Analysis

“Castles Made of Sand” exhibits Hendrix’s unique style in both chord progression and guitar instrumentation. The song combines elements of psychedelic rock, blues, and pop, creating a rich and colorful soundscape. The use of borrowed chords and unconventional progressions contributes to the song’s distinct sound and sets it apart from other works in the rock genre.

Chords in the Chorus 3 section of Castles Made Of Sand by Jimi Hendrix are:

G, D, F, C