Music Theory Alchemy

Search

Related Music Theory Alchemy

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

“While My Guitar Gently Weeps” by The Beatles is in the minor mode and its chord progression showcases rich harmonic content and unexpected key changes, common to The Beatles’ music. Harmonically, it features an interesting mixture of chords from the parallel major and minor keys, which is indicative of modal interchange, a key characteristic of The Beatles’ songwriting.

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

Jimi Hendrix – Castles Made Of Sand – Chorus 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, D, F, C

Chord Progression Analysis

– G major (I)
– D major (V)
– F major (bVII)
– C major (IV)

“`
Borrowed Chord: F major (bVII)
“`

Similar Chord Progressions

Musical Analysis

The chord progression of the chorus in “Castles Made of Sand” presents a somewhat unexpected use of borrowed chords. Although the first two chords, G major (I) and D major (V), fit within the traditional diatonic harmony of G major, the F major (bVII) chord is borrowed from the parallel minor key of G minor. This borrowed chord creates a unique tension through its unexpectedness as well as its role as the bVII in a harmonic “backdoor” progression, which resolves to the IV chord, C major. This type of progression is non-diatonic, further contributing to the song’s distinctive atmosphere.

Overall Analysis

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

Style Analysis

“Castles Made of Sand” embodies the innovative approach to harmony and chord progressions that is characteristic of Jimi Hendrix’s music. The song is an ideal representation of the psychedelic rock genre, combining classic rock elements with a more experimental use of harmony and melody, as well as distinctive guitar techniques such as guitar feedback and reverse tape effects. The song also features a poetic and introspective lyric, drawing on themes of impermanence and the fragility of human experience.

Similar Chord Progressions by Other Artists and Their Chord Progressions:
1. The Beatles – “Dear Prudence”
– D major (I)
– A major (V)
– C major (bVII)
– G major (IV)

2. Radiohead – “Karma Police”
– A minor (i)
– Emaj7 (V/iv)
– D major (IV)
– G major (bVII)

3. Led Zeppelin – “Babe I’m Gonna Leave You”
– A minor (i)
– G major (bVII)
– D major (IV)
– F major (bII or Neapolitan)

Chords in the Chorus 1 section of Castles Made Of Sand by Jimi Hendrix are:

G, D, F, C