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Related Music Theory Alchemy

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

“Good Old Fashioned Lover Boy” by Queen exhibits rich harmonic complexity that falls within the signature rock style of the band. This is evident in the fluctuation between major and minor chord quality, frequent use of 7th chords as well as borrowed chords from the parallel minor. The progression moves fluidly between the tonics, subdominants, and dominants, with a strong cadential movement towards the end that resolves the tension built upon earlier in the piece.

Jimi Hendrix – Castles Made Of Sand – Chorus 1

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Chord Progression

G, D, F, C

Chord Progression Analysis

– G major (I)
– D major (V)
– F major (bVII)
– C major (IV)

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Borrowed Chord: F major (bVII)
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Similar Chord Progressions

Musical Analysis

The chord progression of the chorus in “Castles Made of Sand” presents a somewhat unexpected use of borrowed chords. Although the first two chords, G major (I) and D major (V), fit within the traditional diatonic harmony of G major, the F major (bVII) chord is borrowed from the parallel minor key of G minor. This borrowed chord creates a unique tension through its unexpectedness as well as its role as the bVII in a harmonic “backdoor” progression, which resolves to the IV chord, C major. This type of progression is non-diatonic, further contributing to the song’s distinctive atmosphere.

Overall Analysis

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

Style Analysis

“Castles Made of Sand” embodies the innovative approach to harmony and chord progressions that is characteristic of Jimi Hendrix’s music. The song is an ideal representation of the psychedelic rock genre, combining classic rock elements with a more experimental use of harmony and melody, as well as distinctive guitar techniques such as guitar feedback and reverse tape effects. The song also features a poetic and introspective lyric, drawing on themes of impermanence and the fragility of human experience.

Similar Chord Progressions by Other Artists and Their Chord Progressions:
1. The Beatles – “Dear Prudence”
– D major (I)
– A major (V)
– C major (bVII)
– G major (IV)

2. Radiohead – “Karma Police”
– A minor (i)
– Emaj7 (V/iv)
– D major (IV)
– G major (bVII)

3. Led Zeppelin – “Babe I’m Gonna Leave You”
– A minor (i)
– G major (bVII)
– D major (IV)
– F major (bII or Neapolitan)

Chords in the Chorus 1 section of Castles Made Of Sand by Jimi Hendrix are:

G, D, F, C