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The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

Jimi Hendrix – Hey Joe – Verse 2

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

Similar Chord Progressions

1. Procol Harum – “A Whiter Shade of Pale”
Chord Progression: C Major (I) – Bb Major (bVII) – F Major (IV) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

2. The Beatles – “Let It Be”
Chord Progression: C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – C Major (I)

3. Leonard Cohen – “Hallelujah”
Chord Progression: C Major (I) – A Minor (vi) – C Major (I) – E Major (III) – F Major (IV) – G Major (V) – C Major (I) – G Major (V)

These examples show similar use of circle of fifths progressions, with some variations in the chords used, creating a similarly recognizable flow and sense of resolution.

Musical Analysis

The chord progression in “Hey Joe” is a modulation of the circle of fifths. The circle of fifths is a sequence of chords with roots that are a fifth apart. In this case, the root movement is a descending fifth (or ascending fourth). This pattern is commonly found in many genres, particularly in jazz and classical music. The simplicity and familiarity of the progression make it easy to memorize and facilitates smooth voice leading, creating a sense of resolution from one chord to the next.

Overall Analysis

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

Style Analysis

“Hey Joe” is a great example of the blues-rock style, pioneered by Hendrix himself. The simple, descending circle of fifths progression has influences from blues, jazz, and folk music. This, combined with Jimi Hendrix’s signature guitar playing style, which featured heavy use of distortion, legato phrasing, and various other techniques, contributed to the development and popularization of the blues-rock and psychedelic rock genres.

Chords in the Verse 2 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E