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Related Music Theory Alchemy

The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

“As Tears Go By” by The Rolling Stones is a popular song from the mid-60s that features a mix of major and minor chords along with modulations between closely related keys. The overall harmonic structure shares similarities with other rock and pop songs of that era, including The Beatles and Bob Dylan.

Base Key and

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“Cant Buy Me Love” by The Beatles is a pure example of their early rock-and-roll style influenced by blues. It uses common chord progressions in rock and blues, such as the I-IV-V progression and the use of dominant 7th chords. The song is set in C major, and makes repeated use of the I-IV (C-F) progression. A significant feature in the song is the use of the dominant 7th chords (C7 and F7), which adds some bluesy quality to the song and also serves as a transition chord to the next chord in the progression.

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Jimi Hendrix – Hey Joe – Verse 2

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

Similar Chord Progressions

1. Procol Harum – “A Whiter Shade of Pale”
Chord Progression: C Major (I) – Bb Major (bVII) – F Major (IV) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

2. The Beatles – “Let It Be”
Chord Progression: C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – C Major (I)

3. Leonard Cohen – “Hallelujah”
Chord Progression: C Major (I) – A Minor (vi) – C Major (I) – E Major (III) – F Major (IV) – G Major (V) – C Major (I) – G Major (V)

These examples show similar use of circle of fifths progressions, with some variations in the chords used, creating a similarly recognizable flow and sense of resolution.

Musical Analysis

The chord progression in “Hey Joe” is a modulation of the circle of fifths. The circle of fifths is a sequence of chords with roots that are a fifth apart. In this case, the root movement is a descending fifth (or ascending fourth). This pattern is commonly found in many genres, particularly in jazz and classical music. The simplicity and familiarity of the progression make it easy to memorize and facilitates smooth voice leading, creating a sense of resolution from one chord to the next.

Overall Analysis

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

Style Analysis

“Hey Joe” is a great example of the blues-rock style, pioneered by Hendrix himself. The simple, descending circle of fifths progression has influences from blues, jazz, and folk music. This, combined with Jimi Hendrix’s signature guitar playing style, which featured heavy use of distortion, legato phrasing, and various other techniques, contributed to the development and popularization of the blues-rock and psychedelic rock genres.

Chords in the Verse 2 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E