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The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Jimi Hendrix – Hey Joe – Verse 2

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

Similar Chord Progressions

1. Procol Harum – “A Whiter Shade of Pale”
Chord Progression: C Major (I) – Bb Major (bVII) – F Major (IV) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

2. The Beatles – “Let It Be”
Chord Progression: C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – C Major (I)

3. Leonard Cohen – “Hallelujah”
Chord Progression: C Major (I) – A Minor (vi) – C Major (I) – E Major (III) – F Major (IV) – G Major (V) – C Major (I) – G Major (V)

These examples show similar use of circle of fifths progressions, with some variations in the chords used, creating a similarly recognizable flow and sense of resolution.

Musical Analysis

The chord progression in “Hey Joe” is a modulation of the circle of fifths. The circle of fifths is a sequence of chords with roots that are a fifth apart. In this case, the root movement is a descending fifth (or ascending fourth). This pattern is commonly found in many genres, particularly in jazz and classical music. The simplicity and familiarity of the progression make it easy to memorize and facilitates smooth voice leading, creating a sense of resolution from one chord to the next.

Overall Analysis

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

Style Analysis

“Hey Joe” is a great example of the blues-rock style, pioneered by Hendrix himself. The simple, descending circle of fifths progression has influences from blues, jazz, and folk music. This, combined with Jimi Hendrix’s signature guitar playing style, which featured heavy use of distortion, legato phrasing, and various other techniques, contributed to the development and popularization of the blues-rock and psychedelic rock genres.

Chords in the Verse 2 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E