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Related Music Theory Alchemy

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

Kali Uchis – After The Storm – Verse 2

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Chord Progression

G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m, A#m7, D#aug

Chord Progression Analysis

“`
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m7 (i7)
– A#m7 (ii7)
– D#aug (V+)
– G#m (i)
– A#m7 (ii7)
– D#aug (V+)
“`

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”, Chord Progression:
“`
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
“`
2. Erykah Badu – “On & On”, Chord Progression:
“`
– Bbm9 (i9)
– Db9 (IV9)
– Bbm9 (i9)
– C7#9 (bIII7#9)
“`
3. Jill Scott – “Golden”, Chord Progression:
“`
– Fmaj7 (I7)
– Gm7 (ii7)
– G#maj7(#5) (VImaj7+5)
– Gm7 (ii7)
“`

Musical Analysis

The progression follows a consistent pattern throughout. With multiple repetitions of i7-ii7-V+, the progression resolves back to the i chord again, resulting in a sense of stability. The use of the i7-ii7 chords (G#m7 and A#m7) adds more color and tension to the harmony than using simple triads would, and the D#aug chord creates an unexpected shift, adding interest to the overall progression. In the second half of the verse, the G#m chord is used instead of G#m7, which reduces the harmonic tension slightly.

Overall Analysis

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

Style Analysis

Kali Uchis’s “After The Storm” can be classified as a blend of R&B and neo-soul. The chord progression, along with her soothing vocals and the use of lush keyboards, creates a laid-back atmosphere as commonly heard in these styles of music. The choice of utilizing more complex chords like 7ths and augmented chords is a signature characteristic of R&B and neo-soul, which emphasizes a more sophisticated harmonic landscape in their songs.

Chords in the Verse 2 section of After The Storm by Kali Uchis are:

G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m7, A#m7, D#aug, G#m, A#m7, D#aug