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Related Music Theory Alchemy

The outro chord progression of “Are We Still Friends” by Tyler, The Creator has an interesting and somewhat unconventional structure. It’s composed of four chords and follows a pattern that showcases chromatic motion, a key element often found in the music of Tyler, The Creator. The vamp is harmonically ambiguous, relying on the dynamic interplay between the chords to create tension and resolution.

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Tyler, The Creator – Are We Still Friends – Verse 2

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Chord Progression

E, E7, A, Am, E, E7, A, Am

Chord Progression Analysis

E Major (I) – E Dominant 7 (I7) – A Major (IV) – A Minor (iv) – E Major (I) – E Dominant 7 (I7) – A Major (IV) – A Minor (iv)

Borrowed Chord:
`A Minor (iv)`

Similar Chord Progressions

Although not identical, a similar chord progression with borrowed chords can be found in the song “Something” by The Beatles. The progression in this song also starts on a major chord (C), moves to dominant 7 chord (C7), goes to the subdominant (F), then introduces a borrowed chord (Fm) from the parallel minor key.

Chord Progression in “Something” by The Beatles:
C Major (I) – C Dominant 7 (I7) – F Major (IV) – F Minor (iv)

In both cases, the use of borrowed chords and dominant 7 chords adds an emotional depth and richness to the harmony, making the progressions memorable and distinctive.

Musical Analysis

The progression starts with an E major chord (I), which sets a strong tonic center. It then adds an extra note to create an E dominant 7 chord (I7), creating tension and anticipation by shifting the mood slightly. The tension is then released as the progression moves to the A major chord (IV), the subdominant chord in the key of E major. The progression introduces the borrowed chord, A minor (iv), which is borrowed from the parallel minor key, E minor. This chord creates a sense of surprise and melancholy due to the unexpected appearance of a minor chord in a major key.

This movement is then repeated for a total of two times, further solidifying the emotional contrast and familiarity of the progression for the listener. The choice to repeat the progression serves to reinforce the distinct harmony and provide an easily memorable pattern for the listener.

Overall Analysis

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

Style Analysis

Tyler, The Creator is known for his eclectic and innovative style that blends a variety of genres such as hip-hop, R&B, funk, and soul. In “Are We Still Friends,” the use of the borrowed chord adds a sense of emotional depth and surprise, which is characteristic of Tyler’s signature style. The progression provides a lush harmonic foundation for the song’s introspective lyrics, which touch on themes of lost friendships and nostalgia.

Chords in the Verse 2 section of Are We Still Friends by Tyler, The Creator are:

E, E7, A, Am, E, E7, A, Am