Music Theory Alchemy

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“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

“While My Guitar Gently Weeps” is in the key of A minor and quite uniquely, the song borrows chords from parallel major and minor keys, as well as from modes like mixolydian. It is one of George Harrison’s contributions to the Beatles and showcases sophisticated harmonic techniques and an intricate chordal design, reflecting deeply on the influence of Eastern music and philosophies on his songwriting.

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

Radiohead – Everything In Its Right Place – Verse 1

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Chord Progression

Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, F, C, Db, Eb

Chord Progression Analysis

Dbmaj7 (b♭II), Cmaj7#11 (‘I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Dbmaj7 (b♭II), Cmaj7#11 (I#11), Ebmaj7 (♭III), Fmaj7 (IV), Cmaj7 (‘I’), Dbmaj7 (b♭II), Ebmaj7 (♭III)

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Borrowed chords: Dbmaj7 (b♭II), Ebmaj7 (♭III)
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Similar Chord Progressions

1. Stevie Wonder – “You Are The Sunshine Of My Life”
Chord Progression: Cmaj7 (I), E7#9 (III#9), A7 (VI), Dmin7 (ii), G7 (V)

2. The Beatles – “Something”
Chord Progression: Cmaj7 (I), C7 (I7), FMaj7 (IV), Bbmaj7 (bII), Am7 (vi), D7 (V7/V)

3. Imogen Heap – “Hide and Seek”
Chord Progression: Ebmadd9 (i), Dbmaj9 (bVII), Bbsus2 (V2), Gbmaj7 (bVI)

While these examples may not have the exact same chords or progressions as “Everything In Its Right Place,” they each exhibit a sense of harmonic exploration and experimentation similar to Radiohead’s work, combining modal interchange and borrowed chords to create unique and expressive progressions.

Musical Analysis

The verse alternates between a b♭II – I#11 progression, which is a common technique in modal interchange, and a ♭III chord that adds a sense of ambiguity with its borrowed nature. The progression is mainly utilizing the Lydian mode, but also borrows chords from other modes, like the Phrygian (b♭II) and the Mixolydian (♭III).

Towards the end of the sequence, it switches from the b♭II – I#11 progression to a plagal cadence (IV – I; Fmaj7 – Cmaj7), which provides a sense of resolution before transitioning back to the other progression (b♭II – ♭III).

Overall Analysis

“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

Style Analysis

Radiohead is known for incorporating unusual and complex harmonic structures into their songs, and “Everything In Its Right Place” is a perfect example of their signature experimental style. The piece combines an atmospheric ambiance with a harmonic density that is rooted in the electronic sounds, forming a dense wall of sound. This progressive lyricism is combined with electronic synthesizers to create a modern and ethereal texture.

Chords in the Verse 1 section of Everything In Its Right Place by Radiohead are:

Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, F, C, Db, Eb