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** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

The verse of “Tiny Dancer” by Elton John is generally in the key of C major (with some temporary modulations) and features a varied and interesting chord progression that is indicative of Elton John’s complex, piano-driven musical style.

Radiohead – Fake Plastic Trees – Verse 2

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Chord Progression

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2

Chord Progression Analysis

A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2), A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2)

Similar Chord Progressions

1. Jeff Buckley – Hallelujah: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), C (I), F (IV), G (V), E (III), Am (vi)

2. Coldplay – Yellow: A (I), Aadd4 (Iadd4), Asus2 (Isus2), Dmaj7 (IVmaj7), Esus4 (Vsus4), E (V), Dsus2 (IVsus2), A (I)

While these chord progressions are not identical, they share some common elements with “Fake Plastic Trees,” including the use of extended chords, unexpected harmonic shifts, and a blend of major and minor tonalities.

Musical Analysis

The chord progression prominently features the I, IV, and V chords, which are the primary building blocks of many genres, including pop and rock music. However, Radiohead’s choice to use chord extensions (e.g., maj9, sus2, and add4) and inversions (Dmaj9/F#) adds complexity and intrigue.

The use of borrowed chords such as the Dmaj9/F# (IVmaj9) gives a sense of movement and color, while the inclusion of extended chords like Asus4 (Iadd4), Dmaj9/F# (IVmaj9), and E6 (V6) gives the progression a dreamy, ambient feel. Additionally, the sus2 chords provide harmonic tension and drivemotivating the progression forward. The alternation between major and minor chords throughout the verse further contributes to the emotional depth of the song.

Overall Analysis

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Style Analysis

“Fake Plastic Trees” showcases Radiohead’s distinct alternative rock style. The combination of diatonic and non-diatonic chords, the use of extended chords and suspensions, and the blend of major and minor chords demonstrate the band’s creativity and their departure from traditional songwriting norms. The chord progression serves to solidify Radiohead’s reputation for crafting innovative and emotionally potent soundscapes.

Chords in the Verse 2 section of Fake Plastic Trees by Radiohead are:

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2