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“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

“While My Guitar Gently Weeps” by The Beatles is in the minor mode and its chord progression showcases rich harmonic content and unexpected key changes, common to The Beatles’ music. Harmonically, it features an interesting mixture of chords from the parallel major and minor keys, which is indicative of modal interchange, a key characteristic of The Beatles’ songwriting.

Radiohead – Fake Plastic Trees – Chorus 1

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Chord Progression

Bm7add11, A, Bm7add11, A, Asus4

Chord Progression Analysis

Bm7add11 (ii7add11), A (I), Bm7add11 (ii7add11), A (I), Asus4 (I4)

Borrowed Chord:
`None`

Similar Chord Progressions

1. Coldplay – “The Scientist” (Dm9, Bb, F, C, Csus4)
2. Jeff Buckley – “Hallelujah” (C, Am, C, Am, F, G, C, G, C)

These other compositions don’t follow the exact same chord progression as “Fake Plastic Trees,” but they share similar elements and characteristics, such as the use of add11 and sus4 chords to add flavor and tension to their progressions. Both songs, like “Fake Plastic Trees,” are in a major key and feature emotive vocal performances and memorable melodies.

Musical Analysis

The song starts with a Bm7add11 chord, which adds a touch of dissonance and tension as it includes the 11th (E note), creating an unresolved feeling. This tension is released when the progression moves to the A major chord, providing a sense of resolution before returning to the Bm7add11 chord for continued tension. The last chord, Asus4, serves as a slight variation to the A major chord and adds even more color and character to the progression, as it replaces the major third (C#) with a perfect fourth (D).

Overall Analysis

“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

Style Analysis

Radiohead is known for their innovative and experimental approach to songwriting, which is evident in “Fake Plastic Trees.” The chord progression in the chorus is simple yet engaging, with the use of Bm7add11 and Asus4 chords adding depth and character to the otherwise straightforward I-ii progression. The verses feature simpler chords, allowing the focus to be on Thom Yorke’s emotive vocal performance. The strophic form used in the song creates a feeling of continuity, with each verse and chorus telling different parts of the same story.

Chords in the Chorus 1 section of Fake Plastic Trees by Radiohead are:

Bm7add11, A, Bm7add11, A, Asus4