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Related Music Theory Alchemy

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“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

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“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

The given chord progression is in the key of C Major and follows a simple, yet effective structure. It features a blend of consonance and dissonance, which creates a sense of resolution and tension simultaneously. This progression is characteristic of Radiohead’s unique sound and their ability to create emotive landscapes through their music.

The outro of George Benson’s “Give Me The Night” features a smooth, soulful chord progression that is common to jazz, R&B, and pop music. The progression has a descending movement with alternating minor 7th and major 7th chords. This repetition creates a sense of ambience and resolution, making it an ideal conclusion to the song.

Queen – Somebody To Love – Outro

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Chord Progression

[‘G’, ‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘D/F#’]

Chord Progression Analysis

In the key of G major, the progression is as follows:

`G Major (I)`
`G Major (I)`
`G Major (I)`
`D Major/F# (V6)`
`E minor (vi)`
`C Major (IV)`
`D7 (V7)`
`G Major (I)`
`D Major/F# (V6)`
`E minor (vi)`
`C Major (IV)`
`D Major (V)`
`G Major (I)`
`D Major/F# (V6)`

Similar Chord Progressions

The chord progression in “Let It Be” by The Beatles is a popular one that shares similarities with “Somebody To Love.” The progression in the verse of “Let It Be” follows:

`C Major (I)`
`G Major (V)`
`A minor (vi)`
`F Major (IV)`

It’s the I-V-vi-IV progression, which is often used in pop music over the decades. Though this progression is simpler, the use of vi-IV in “Let It Be” shares some similarity with “Somebody to Love” in its use of vi and IV chords to add tension and melancholy.

Musical Analysis

The D/F# chord is a first inversion of the D major, adding tension while still maintaining the tonal center of the progression. The E minor chord is the relative minor in G major, adding a touch of melancholy. The D7 chord here prepares the ear for the resolution back to the tonic G major.

Overall Analysis

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

Style Analysis

Queen often uses modulation, chromaticism, and borrowed chords to heighten the theatricality and emotional intensity of their music. This song in particular portrays a sense of yearning and pleading through its gospel-influenced progression, making use of a regularly shifting tonal center and keeping the attention of the listener.

Chords in the Outro section of Somebody To Love by Queen are:

[‘G’, ‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘D/F#’]