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Related Music Theory Alchemy

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“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

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This chord progression is from the song, “Good Old-Fashioned Lover Boy” by Queen, which is known for its complex and intricate progressions. The song is set in the key of C major, and it features a mixture of triadic major and minor chords, dominant sevenths and the common use of borrowed and secondary dominant chords to create tension. This creates a lot of harmonic interest.

The chord progression in the chorus of “Hoppipolla” by Sigur Rós can be considered as being in the key of B Major, featuring a mixture of diatonic and borrowed chords. The progression shows Sigur Rós’ signature atmospheric and emotive style, utilizing various harmonic techniques to create a lush chord progression.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

“Wonderwall” by Oasis is a rock song with folk roots and a melodic pop influence. It uses the alternative rock idiom of harmony, which bestows the song with a sound leaning towards traditional folk and classic pop. The band utilizes common vintage chords mixed with modern progressions to create that identifiable Oasis sound.

Queen – Somebody To Love – Chorus

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Chord Progression

[‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’]

Chord Progression Analysis

Here is the chord progression of the Chorus with the full chord names and their corresponding Roman Numerals:
“`
G (I),
G (I),
D/F# (V6),
Em (vi),
C (IV),
D7 (V7),
G (I),
D/F# (V6),
Em (vi),
C (IV),
D (V)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles also uses an I-V-vi-IV progression in the key of C major:
“`
C (I), G (V), Am (vi), F (IV)
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2. “I’m Yours” by Jason Mraz maintains the I-V-vi-IV progression in the key of B major:
“`
B (I), F# (V), G#m (vi), E (IV)
“`
3. “No Woman No Cry” by Bob Marley adheres strictly to the I-V-vi-IV progression in its verses and employs it in the key of C major:
“`
C (I), G (V), Am (vi), F (IV)
“`
4. “Don’t Stop Believing” by Journey: This song also includes the transition from I to a V with an inverted bass note creating a descending line, much like Queen’s “Somebody to Love.”

It’s important to note that while these songs share a similar progression, the feeling they elicit can be different due to variations in melody, rhythm, instrumentation, and lyrical content.

Musical Analysis

In the chord progression of “Somebody to Love,” the recurring I-V-vi-IV progression is clear. This progression is one of the most popular in pop music. The D/F# (V6) is an inversion that gives a smooth bass line descending from the G (I). The D7 (V7) acts as a dominant seventh chord and creates a strong pull back to the return to G (I). Many transitions between chords also involve common tones, allowing for smoother transitions and voice leading.

Overall Analysis

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

Style Analysis

“Somebody to Love” is a derivative of the blues and gospel styles, with its poignant melodic twists, repeated use of the dominant seventh chord, and progression to the IV chord, which is reminiscent of the move to the IV chord in a standard 12-bar blues progression. The inclusion of the sixth (vi) chord could be seen as an infusion of the relative minor, which adds depth and melancholy to the sound.

Chords in the Chorus section of Somebody To Love by Queen are:

[‘G’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D7’, ‘G’, ‘D/F#’, ‘Em’, ‘C’, ‘D’]