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This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

“I Am The Walrus” by The Beatles is a song that stands out because of its unique chord progressions and thematic material. The chord progression of the pre-chorus is particularly captivating and somehow unusual compared to common pop/rock tunes.

Taylor Swift’s “Black Dog” features a verse chord progression that is both simple and evocative, utilizing variations of the tonic chord to create a sense of movement and build tension before resolving into more straightforward chord changes. This kind of progression is characteristic of songs that aim to evoke a contemplative or narrative-driven mood, which is a frequent theme in Swift’s songwriting.

The chord progression in the verse of “Help!” by The Beatles is quite characteristic of their style, using common chords but in interesting and unusual ways. The verse of “Help!” notably presents a mix of classic pop chord progression (I-vi-ii-V), secondary dominant chords and chromatic progressions. The Beatles often incorporated novel harmonic structures that added depth and complexity to their pop music, as evidenced in this piece.

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

The Beatles – The Continuing Story Of Bungalow Bill – Verse

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Chord Progression

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]

Chord Progression Analysis

The chord progression for the verse is analyzed as follows:

* A minor (i chord in A minor key)
* C major (III chord in A minor key / borrowed chord from A major)
* F major (VI chord in A minor key / borrowed chord from F major)
* G major (VII chord in A minor key / borrowed chord from G major)

`A minor (‘i’), C major (‘bIII’), F major (‘bVI’), G major (‘bVII’)`.

* E major (V chord in A minor key / borrowed chord from A major)
* G major (VII chord in A minor key / borrowed chord from G major)
* A minor (i chord in A minor key)
* F minor (VI chord in F minor key / borrowed chord from F minor)

`E major (‘V’), G major (‘bVII’), A minor (‘i’), F minor (‘iv’)`.

Similar Chord Progressions

The cyclical nature of the chord progression is reminiscent to other works like Radiohead’s “House of Cards”, which uses a similar sequence adjusted to different keys:

* B minor (i chord in B minor key)
* D major (VI chord in B minor key / borrowed chord from D major)
* G major (III chord in B minor key / borrowed chord from G major)
* A major (IV chord in B minor key)

`B minor (‘i’), D major (‘bVI’), G major (‘bIII’), A major (‘iv’)`.

In its core progression, this Radiohead’s song shares the use of a minor i chord, major IV, & suggestive borrowed chords, albeit in a different key.

Musical Analysis

The song features a cyclical four-chord progression that goes through A minor, C major, F major, and G major chords twice, invoking a sense of movement in the verse. The shift to E major provides a brief moment of tension before resolving back to A minor. The inclusion of F minor introduces a spookier, exotic sound that heightens the drama of the song, which is further intensified by the use of borrowed chords.

Overall Analysis

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

Style Analysis

As for style notes, the Beatles were known for their innovative and unconventional use of harmony and melody. They frequently used borrowed chords and modal interchange, blending elements of different musical modes within a single song. “The Continuing Story of Bungalow Bill” exemplifies this approach, and the surprising shift to F minor contributes to its unique character.

Chords in the Verse section of The Continuing Story Of Bungalow Bill by The Beatles are:

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]