Music Theory Alchemy

Search

Related Music Theory Alchemy

**
“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

**

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

“Iris” by Goo Goo Dolls is a song in the key of D Major, and uses a very common pop/rock chord progression. The sheer repetition of the progression throughout the verse establishes a solid harmonic background upon which the melody can freely roam. Chords include the primary triads (I, IV, V) which are D, G, A, minor variations of the secondary triads (ii, iii, vi), which are Em, F#m, Bm.

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

The Beatles – Let It Be – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

“`
C (I)
G (V)
Am (vi)
Am/G (vi/IV)
Fmaj7 (IV)
F6 (IV-v6)
C (I)
G (V)
F (IV)
C/E (I-vi)
Dm7 (ii7)
C (I)
C (I)
G (V)
Am (vi)
Am/G (vi/IV)
Fmaj7 (IV)
F6 (IV-v6)
C (I)
G (V)
F (IV)
C/E (I-vi)
Dm7 (ii7)
C (I)
“`
Chords borrowed from other keys are labeled within the code block, namely Am/G, F6, and C/E. These chords add richness to the sound due to their harmonics and pitch diversity.

Similar Chord Progressions

One song with similar chord progressions is “No Woman, No Cry” by Bob Marley and the chord progressions in the song can be demonstrated just like we did for “Let It Be”:
“`
C (I)
G (V)
Am (vi)
F (IV)
C (I)
F (IV)
C (I)
G (V)
“`
This song also utilizes a IV-I-V-vi chord progression, which is very common in pop music. The progression is known for its strong sense of resolution and tonal centering. Other songs with similar structures include Journey’s “Don’t Stop Believin’”, U2’s “With or Without You”, and “Let It Go” from the Disney film Frozen.

Musical Analysis

“Let It Be” features an even meter with a smooth, flowing rhythm. The steady use of bass notes throughout anchors the harmony and shows harmonic enrichment by the use of more complex chords, which often lead to the tonic for resolution.

The use of harmony in “Let It Be” reflects the folk and rock ‘n’ roll influences evident in many of The Beatles’ works. The song leans on major and minor triads, punctuated with the flavorful usage of the 6th and 7th.

Overall Analysis

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

Style Analysis

“Let It Be” is distinctly in The Beatles’ style, drawing from pop, rock ‘n’ roll and folk traditions. The song is characterized by its memorable melody, emotive lyrics, and the creative use of chord progressions and harmonies, resulting in a unique, engaging sound.

Chords in the Verse 1 section of Let It Be by The Beatles are:

[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]