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“I Am The Walrus” is a composition by The Beatles that showcases a variety of chord progressions, rhythmic sensibilities, and melodic explorations that are representative of their signature sound. The song’s structure presents a complex and unorthodox harmonic design that is characteristic of The Beatles’ later experimental phase.

The pre-chorus 1 [‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’] presents a series of descending bass notes provided by the root movement of these chords- from A to G (in ‘A/G’) to F# (in ‘Dadd9/F#’) and then repeated. This technique significantly enhances the melodic content of this progression. From a stylistic perspective, the song’s chord progression is enriched by the functional interplay of diatonic and non-diatonic elements over a changing tonal landscape.

“Girl” by The Beatles is a classic example of their use of chromatic harmony and modal interchange. The chord progression shows complexity in both its chord choices and structure, a distinguishing feature in much of their music. By closely examining this piece, we can better understand The Beatles’ harmonic technique where they blend the techniques of classical music (like chromaticism and harmonic diversity) with pop songwriting.

Nine Inch Nails’ “Closer” is a unique blend of industrial rock, electronica, and alternative styles that has propelled the song to prominence as one of the band’s most famous and frequently played tracks. The song is in the key of E major and features a recurring chord progression throughout its various sections.

This particular section is mostly based in the key of F major and highlights Freddie Mercury’s love for moving from the classical I-ii-V progression to the jazz-inspired I-IV-ii-V, often followed by a jazzy II-V-I. In this part of the song, you will find some interesting use of borrowed chords and leading tones, contributing to the chromaticism that enriches the progression.

“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

The Beatles – I Am The Walrus – Bridge

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Chord Progression

[‘B’, ‘A’, ‘G’, ‘F’, ‘E’, ‘F’, ‘B7’]

Chord Progression Analysis

B(Major I), A(Major VII), G(Major VI), F(Major V), E(Major IV), F(Major V), B7(Dominant I)

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“Borrowed chord(s)”: The ‘F’, ‘F’ are borrowed chords from the parallel minor.
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Similar Chord Progressions

– Procol Harum’s “A Whiter Shade of Pale” also uses a similar descending bassline progression.
– F(Major I), E(Major VII), D(Major VI), C(Major V), B(Major IV), C(Major V), B7(Dominant I)
– Radiohead’s “Paranoid Android” also uses borrowed chords and varied key changes.
– G(Major I), F#(Major VII), E(Major VI), D(Major V), C#(Major IV), D(Major V), G7(Dominant I)

Please keep in mind that the naming of the Roman numeral progression varies, depending on the root, the scale and the chord in use.

Musical Analysis

The A to F segment in the verse follows a chromatic descending progression in the bass, which is a feature long employed in many pop songs but had only just emerged in Beatles’ songs at the time. The harmony in these verses mixs tonic (A) with IV (D), bVII (G), and bVI (F) in a closely related fashion.

The bridge, which you queried, does away with the A major key and instead presents a descending major scale starting on B Major, introducing harmonic tension with the surprising change. What’s unique here is the usage of B Major, which is a tritone away from the key of E (a non-diatonic motion).

Overall Analysis

“I Am The Walrus” is a composition by The Beatles in which the song varies in key and progressive elements, with fascinating uses of borrowed chords from parallel modes and chromatic bass motion. The melody resides predominantly within a pentatonic framework, frequently rotating around subversions. The Bridge section beautifully showcases Beatles’ experimentation with descending chord progression built around chromatic movement.

Style Analysis

Musically, “I Am The Walrus” reflects The Beatles’ renowned style of incorporating varied music styles, consisting of pop, art rock, and psychedelic music. The use of unusual chord progressions, borrowed chords, changing keys and tonalities, and electric instrumentation all contribute to the song’s unique sound. It’s an exemplar of their later period works where they pushed the boundaries of pop music into uncharted territory.

Chords in the Bridge section of I Am The Walrus by The Beatles are:

[‘B’, ‘A’, ‘G’, ‘F’, ‘E’, ‘F’, ‘B7’]